1. Diana Thater: Drawings 1999 - 2006
    2025
    Tensta , 2000 Ink, Pantone and laser ink on mylar 23.875 x 36 inches (60.8 x 91.5 cm) 29.75 x 41.75 x 1.375 inches framed (75.6 x 106 x 3.5 cm framed) Photo by Fredrik Nilsen
  2. Radio Luxembourg: Echoes across Borders
    2025
    The Individual as a Species, 1996 Five (5) video monitors, five (5) media players The Contemporary Art Museum of Luxembourg Photo by Mareike Tocha © Mudam Luxembourg
  3. Atmospheric River
    2025
    Installation view Photo by Chris Hanke
  4. Diana Thater: The Conversation
    2025
    Galerie Hussenot 12
  5. Diana Thater: Chernobyl Redux (2023)
    2024
    Chernobyl Redux (2023),  2023 Six (6) video projectors, six (6) media players, Lee filters Dimensions variable Installation view, Luma Westbau, Zurich, 2024 Photo by Annik Wetter
  6. Kiesler today: Work dialogues with contemporary artists
    2024
    Natural History One, 2019 Five (5) monitors, one (1) media player and two (2) LED light fixtures
  7. Practical Effects
    2024
    Practical Effects, 2022  One (1) tent, five (5) projectors, five (5) media players, and six (6) DMX lights Installation view at LUMA Arles, France, 2024 Photo by Victor&Simon - Grègoire d'Ablon 
  8. David Zwirner: 30 Years
    2024
    Natural History One Redux (2024) , 2024 Five (5) monitors, one (1) player, and two (2) LED light fixtures
  9. The Bright Side of the Desert Moon
    2023
    A Wild Kingdom , 2023 Site specific installation Installation view, Noor Festival, 2023  Photo by Mohammed Buhasan
  10. RE/SISTERS: A Lens on Gender and Ecology
    2023
    RARE, 2008 One (1) media player, sixteen (16) flat panel monitors, one (1) distribution amplifier Dimensions variable Installation view at the Barbican Art Gallery, London, UK Photo by Max Colson
  11. O Horizon: Art of the Forest Floor
    2023
    Natural History One , 2019 Five (5) monitors, one (1) media player and two (2) LED light fixtures Dimensions variable Installation view Descanso Gardens, Los Angeles, CA
  12. 3rd International Biennial of Saint-Paul de Vence
    2023
    The Conversation , 2021 Four (4) flat panel monitors, four (4) speakers, window film and existing architecture Photo by Frédéric Pasquini Installation view 3rd International Biennial Saint-Paul de Vence, France
  13. Rainbow: Colors and wonders between myths, arts and science
    2023
    Surface Effect, 1997 Two (2) video monitors, two (2) DVD players, two (2) DVDs Installation view at MUDEC, Milan, Italy
  14. Avant L'Orage
    2023
      The best outside is the inside,  1998 Two (2) video monitors, two (2) media players Installation view, Bourse de Commerce - Pinault Collection, Paris, France, 2023 Photo by Aurélien Mole. Courtesy of Pinault Collection
  15. Practical Effects
    2022
    Practical Effects , 2022 One (1) tent, five (5) projectors, five (5) media players, and six (6) DMX lights Photo by Kerry McFate Installation view David Zwirner, New York, NY
  16. Put it This Way: (Re)Visions of the Hirshhorn Collection
    2022
    Hmsg_Exh_Pitw_2022_075
  17. Nature Doesn't Know About Us
    2022
    True Life Adventures , 2018 Digital video projection on existing architecture Photo by James Prinz Installation view Sculpture Milwaukee 2022, Milwaukee, Wisconsin
  18. Natural History Two at ArtCenter
    2022
    Natural History Two , 2019 Five (5) monitors, one (1) media player and two (2) LED light fixtures Installation view, ArtCenter College of Art and Design, Pasadena, CA
  19. Shifting the Silence
    2022
    Surface Effect , 1997 Two (2) video monitors, two (2) DVD players, two (2) DVDs Dimensions variable Installation view, SFMOMA, 2022
  20. The Summer that Never Was (Videos from the CIAC Collection)
    2022
    Continuous. Contiguous. , 2005 4 Video Projectors, 3 Flat screen monitors, 7 DVD Players, 7 DVDs, 1 Synchronizer and existing architecture Dimensions variable Photography: Ramiro Chaves Credit: CIAC A.C. Installation view, Laboratorio Arte Alameda, Mexico City, 2021
  21. The Conversation
    2021
    The Conversation , 2021 Four (4) flat panel monitors, four (4) speakers, window film and existing architecture Photo by Fredrik Nilsen Installation view 1301PE, Los Angeles, CA
  22. In Focus: LA Artists
    2021
    Untitled (Butterfly Videowall #2), 2008 Five (5) flat screen LCD monitors, one (1) blue-ray DVD, one (1) distribution amplifier, two (2) fluorescent light fixtures, Lee filters and existing architecture Dimensions variable Installation view, Hauser & Wirth, Los Angeles, CA
  23. Scratching the Surface
    2021
    The Best Animals Are the Flat Animals , 1998 Two (2) video projectors, two (2) DVD players, two (2) DVDs, free standing wall and existing architecture Photo by Mathias Voelzke Installation view Hamburger Bahnhof Museum für Gegenwart, Berlin, Germany
  24. Yes, there will be singing
    2020
    Yes, there will be singing , 2020 Live stream Four (4) video cameras, four (4) speakers, theatrical lights and existing architecture
  25. Parallax
    2020
    The Road to Hana Two , 2014 Nine (9) monitor videowall
  26. Installations from 25 Years of the Falckenberg Collection
    2020
    Delphine , 1999 Four (4) video projectors, five (5) DVD players, five (5) DVDs, nine (9) video monitors, one (1) synchronizer, Lee filters and existing architecture Dimensions Variable Installation view, The Deichtorhallen, Hamburg Germany
  27. Almost Human: Digital Art from the Permanent Collection
    2019
    Untitled (Butterfly Videowall #2), 2008 Five (5) flat screen LCD monitors, one (1) blu-ray DVD player, one (1) blu-ray DVD, one (1) distribution amplifier, two (2) fluorescent light fixtures, Lee filters and existing architecture Dimensions variable Installation View, San Jose Museum of Art, San Jose, CA 2019
  28. Diana Thater: A Runaway World
    2018
    Time Compressed , 2017 Nine (9) monitor videowall Installation view, Guggenheim Bilbao, Bilbao, Spain 2018
  29. Art on theMART
    2018
    True Life Adventures , 2018 Digital video projection on existing architecture Installation view, Merchandise Mart, Chicago, Illinois Sound by T. Kelly Mason
  30. Diana Thater
    2018
    Exhibition Entrance Installation view, ICA Boston / Watershed, Boston, Massachusetts, 2018 Photo by Kerry McFate
  31. Before Projection: Video Sculpture 1974-1995
    2018
    Snake River, 1994 Three (3) video monitors, three (3) media players, and digital files Installation view, MIT List Visual Arts Center, Cambridge, 2018
  32. David Zwirner: 25 Years
    2018
    Time Compressed , 2017 Nine (9) monitor videowall Installation view, David Zwirner Gallery, New York, 2018
  33. Moluccan Cockatoo Molly Numbers 1-10
    2017
    Moluccan Cockatoo Molly 1-10, 1995 Video installation with window film Dimensions variable Installation view Institute of Chicago
  34. Diana Thater: A Runaway World
    2017
    Installation view, Borusan Contemporary, Istanbul, Turkey, 2017
  35. Artists of Color
    2017
    RGB Window for MOCA adapted for The Underground Museum , 2001- 2018 Installation designed by DIANA THATER and Lorcan O'Herlihy Architects (LOHA) Installation view, The Underground Museum, Los Angeles, CA
  36. Diana Thater: A Runaway World
    2017
    A Runaway World , 2017 Two (2) custom screens, two (2) video projectors, two (2) media players Installation view, The Mistake Room, Los Angeles 2017
  37. Diana Thater: The Starry Messenger
    2017
    The Starry Messenger , 2014 9-monitor video wall 68 3/8 x 121 x 3 5/8 inches
  38. Diana Thater: The Sympathetic Imagination
    2016
    Exhibition Entrance Installation view, MCA, Chicago, Illinois, 2016
  39. Diana Thater: Colorvision
    2016
    Installation view, 1301PE, Los Angeles, 2016
  40. On Space and Place: Contemporary Art from Chicago, Los Angeles, Mexico City, and Vancouver
    2016
    Foam , 1997 Two (2) flat panel monitors, two (2) media players Dimensions variable Installation view, DePaul Art Museum, Chicago, Illinois
  41. Indestructible Wonder
    2016
    Untitled (Butterfly Videowall #2), 2008 Five (5) flat screen LCD monitors, one (1) blue-ray DVD, one (1) distribution amplifier, two (2) fluorescent light fixtures, Lee filters and existing architecture Dimensions variable Installation view, San José Museum of Art, San Jose, CA
  42. Diana Thater: The Sympathetic Imagination
    2015
    Exhibition Entrance Installation view, Los Angeles County Museum of Art, Los Angeles, California, 2015  
  43. Diana Thater: gorillagorillagorilla
    2015
    gorillagorillagorilla , 2009 Six (6) video projectors, two (2) video monitors, eight (8) media players, Lee filters and existing architecture Installation View, Aspen Art Museum, 2015
  44. Vita Vitale
    2015
    Untitled (Butterfly Videowall #2) , 2008 Five (5) flat screen LCD monitors, one (1) media player, one (1) distribution amplifier, two (2) fluorescent light fixtures, Lee Filters and existing architecture Dimensions variable Installation View the Azerbaijan Pavilion at the 56th International Art Exhibition – la Biennale di Venezia, Venice, Italy
  45. LIfe is a Time-Based Medium
    2015
    Life is a Time-Based Medium Three (3) video projectors, one (1) Watch-Out system, one (1) media player Dimensions variable Installation view, Hauser & Wirth, London, United Kingdom, 2015
  46. Beta Space:Diana Thater Science, Fiction (Two)
    2015
    Science, Fiction , 2014 Installation for two (2) video projectors, one (1) watchout system, and lights Dimensions Variable Installation view, San Jose Museum of Art, San Jose, California, 2015
  47. Diana Thater Science, Fiction
    2015
    Sidereus Nuncius , 2014 Nine (9) monitor video wall 68 3/8 x 121 x 3 5/8 inches  Science, Fiction , 2014 Installation for two (2) video projectors, one (1) watchout system, and lights Dimensions Variable Installation view, David Zwirner Gallery, New York, 2015
  48. Here Today...
    2014
    RARE,  2008 One (1) media player, sixteen (16) flat panel monitors, one (1) distribution amplifier Dimensions variable  Installation view, Here Today..., Old Sorting Office, London, United Kingdom, 2014  
  49. Delphine
    2014
    Delphine , 1999 Four (4) video projectors, five (5) media players, nine (9) video monitors, one (1) Synchronizer, Lee filters and existing architecture Dimensions Variable Installation view, Frac-Bourgogne, Dijon, France
  50. On the Blue Shore of Silence
    2014
    Delphine , 1999 Inkjet print
  51. Cinema & Painting
    2014
    Pink Daisies, Amber Room , 2003 Two (2) video projectors, two (2) media players, Lee Filters, mylar and existing architecture Dimensions variable Installation view, Adam Art Gallery, Wellington, New Zealand, 2014
  52. California Landscape into Abstraction: Works from the Orange County Museum of Art
    2013
    Wicked Witch , 1996 Five (5) video projectors, five (5) media players Dimensions variable Installation view, Orange County Museum of Art, Newport Beach, California, 2014
  53. Prima Materia
    2013
    Six Color Sun, Vertical Stack , 2000 Six (6) video monitors, Six (6) media players Installation View, Punta della Dogana, Venice 
  54. David Zwirner Booth at The Armory Show
    2013
    Day For Night Two, 2013 Nine (9) monitor videowall Day For Night One, 2013 Nine (9) monitor videowall Day For Night Three, 2013 Nine (9) monitor videowall  
  55. Oo Fifi, Five Days in Claude Monet's Garden
    2012
    Oo Fifi, Five Days in Claude Monet's Garden, 1992 Parts 1 and 2 Four (4) video projectors, four (4) media players, Lee filters Dimensions variable Installation view, 1301PE, Los Angeles, 2012 Photo by Fredrik Nilsen  
  56. Chernobyl
    2012
    Chernobyl, 2011 Six (6) video projectors, six (6) media players, Lee filters Dimensions variable Installation view, David Zwirner Gallery, New York, 2012
  57. New Acquisitions
    2012
    Chernobyl, 2011 Six (6) video projectors, six (6) media players, Lee filters Dimensions variable Installation View, Stedelijk Museum, Amsterdam, Netherlands, 2012
  58. Dualities
    2012
    Dualities,  2012 Installation view, Commission for Bank of America Plaza, Los Angeles, California
  59. Riotous Baroque
    2012
    Chernobyl, 2011 Six (6) video projectors, six (6) media players, Lee filters Dimensions variable Installation view, Kunsthaus Zurich, Zurich, Switzerland, 2012
  60. Light + Landscape
    2012
    Composite Sun, 2000 One (1) video monitor, one (1) media player Dimensions variable 
  61. Howling at the Moon
    2012
    Oculus , 2001 One (1) video projector,  one (1) media player, one (1) round mirror, Lee filters and existing architecture Installation view, Dickinson Roundell Inc., New York
  62. Alice in Wonderland
    2011
    The Caucus Race , 1998 Two (2) video projectors, four (4) video monitors, six (6) media players, one (1) synchronizers and Lee Filters Installation view, Museo d’Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy, 2012
  63. Diana Thater: Chernobyl
    2011
    Chernobyl, 2011 Six (6) video projectors, six (6) media players, Lee filters Dimensions variable Installation view, Institute of Modern Art, Brisbane, Australia, 2012
  64. Nature Morte
    2011
    Untitled (Ann and Chris) , 2011 Four (4) monitors, one (1) media player Dimensions variable Installation view, Galerie Hussenot, Paris, France 
  65. Barroco Nova: Neo-Baroque Moves in Contemporary Art
    2011
    Purple Flowers Videowall, 2001 Nine (9) video monitors, one (1) videowall processor, one (1) media player, Lee filters Dimensions variable Installation view, Hauser & Wirth, Zurich, Switzerland, 2002
  66. Out of the Box: Artists Play Chess
    2011
    Georges Koltanowski vs. Marcel Duchamp, Paris, 1929 (Played by Ellen Simon and Cybelle Tondu),  2010 Four (4) monitors, one (1) media player, Dimensions variable  Installation view, World Chess Hall of Fame and Museum, St. Louis, Missouri, 2011 
  67. Diana Thater: Peonies
    2011
    Peonies,  2011 Nine (9) video monitors, one (1) media player Dimensions variable Installation view, Wexner Center for the Arts, Columbus, OH, 2011
  68. Chernobyl
    2011
    Chernobyl,  2011 Poster
  69. Anonyme Skulpturen
    2010
    Untitled (Butterfly Videowall #2) , 2008 Five (5) flat screen LCD monitors, one (1) media player, one (1) distribution amplifier, two (2) fluorescent light fixtures, Lee filters and existing architecture Dimensions variable Installation View, Museum Krefeld, Krefeld Germany  
  70. Taking Place
    2010
    White is the Color , 2003 Two (2) video projectors, two (2) media players, one (1) lighting fixture, lighting filters and existing architecture Dimensions variable Installation view, Stedelijk Museum, Amsterdam, The Netherlands, 2010  
  71. One Room, One Work
    2010
    Dark Matter , 2003 Two (2) flat screen monitors, two (2) media players, and Lee filters Dimensions variable Installation view, 1301 PE, Los Angeles, CA, 2010
  72. Simply Video
    2010
    Delphine , 1999 Four (4) video projectors, five (5) media players, nine (9) video monitors, one (1) synchronizer, Lee filters and existing architecture Dimensions Variable Installation view, Kunstmuseum Stuttgart, Stuttgart, Germany
  73. Between Science and Magic
    2010
    Between Science and Magic , 2010 Two (2) 16mm films, two (2) modified Eiki RT-0 projectors with custom loopers, two (2) amplifiers, two (2) equalizers, four (4) speakers  Dimensions variable Installation view, David Zwirner, New York, NY 2010
  74. Between Science and Magic
    2010
    Between Science and Magic , 2010 Two (2) 16mm films, two (2) modified Eiki RT-0 projectors with custom loopers, two (2) amplifiers, two (2) equalizers, four (4) speakers  Dimensions variable Installation view, Santa Monica Museum of Art, Santa Moica, CA, 2010
  75. Delphine
    2009
    Delphine , 1999 Four (4) video projectors, five (5) media players, nine (9) video monitors, one (1) synchronizer, Lee filters and existing architecture Dimensions Variable Installation view, St. Stephani, Bremen, Germany, 2009
  76. Butterflies and Other Peole
    2009
    Butterflies and Other People , 2009 Installation View, Santa Barbara Museum of Art, Santa Barbara, CA 2009 
  77. Tigers and Other People
    2009
    Tigers and Other People Installation view, Towner Gallery, Eastbourne, UK 
  78. Collection: MOCA's First 30 Years
    2009
    RGB Window for MOCA , 2001 Lee Filters Installation view, Museum of Contemporary Art, Los Angeles, CA, 2009 
  79. Marcel Duchamp: The Art of Chess
    2009
    Rrose Selatranny , 2009 One (1) flat panel monitor, one (1) media player Dimensions variable Installation view, David Zwirner, New York, New York, 2009
  80. After Darwin, Contemporary Expressions
    2009
    gorillagorillagorilla , 2009 Six (6) video projectors, two (2) video monitors, eight (8) media players, Lee Filters and existing architecture Installation view, The Natural History Museum, London, England, 2009
  81. Diana Thater
    2009
    Untitled (Butterfly Videowall #2) , 2009 Five (5) flat screen LCD Monitors, one (1) media player, one (1) distribution amplifier, two (2) fluorescent light fixtures, Lee filters and existing architecture, Dimensions variable Installation View, Hauser & Wirth, Swallow Street, London, England
  82. The Moving Image: Scan To Screen, Pixel To Projection
    2009
    Wicked Witch , 1996 Five (5) video projectors, five (5) media players Dimensions variable Installation view, Orange County Museum of Art, Newport Beach, California, 2009 
  83. Human/Nature: Artists Respond to a Changing Planet
    2009
    RARE , 2008 One (1) media player, sixteen (16) flat panel monitors, one (1) distribution amplifier Dimensions variable  Installation view, Human/Nature: Artists Respond to a Changing Planet, Berkeley Museum of Art, Berkeley, California, 2009
  84. Magnetic Landscape
    2009
    Shilo , 1995 One (1) monitor, one (1) media player Dimensions Variable Installation view, The Columbus Museum,  Columbus, Georgia, 2009
  85. gorillagorillagorilla
    2009
    gorillagorillagorilla , 2009 Six (6) video projectors, two (2) video monitors, eight (8) media players, Lee Filters and existing architecture Installation view, Kunsthaus Graz, Graz, Austria, 2009 
  86. Mind the Step
    2009
    A Series of Events , 2003 Two (2) monitors, two (2) media players, one (1) synchronizer Dimensions variable Installation view, 1301PE, Los Angeles, CA, 2009
  87. You will never wake up from this beautiful dream
    2009
    Perpetual Motion Two, 2005 Nine (9) flat panel monitors, one (1) distribution amplifier, one (1) media player Dimensions variable Installation view, The Vanmoerkerke Collection, Oostende, Belgium, 2009
  88. The Artist as Troublemaker
    2008
    Delphine Drawing for Carnegie International, Diptych #1 , 1999 Mylar with ink, graphite, pantone film and ink jet prints 
  89. Whitney Storefronts
    2008
    A Series of Events, 2003 Two (2) monitors, two (2) media players, one (1) synchronizer Dimensions variable Installation view, Whitney Museum of American Art, 2008 
  90. Multiverse
    2008
    Oculus , 2001 and  Blue, Green, Yellow Suns, 2000 Installation view, Multiverse, Claremont Museum of Art, Claremont, CA, 2008  
  91. Diana Thater
    2008
    Untitled Videowall (Butterflies), 2008 Six (6) flat screen LCD monitors, one (1) media player, one (1) distribution amplifier, one (1) fluorescent light fixtures, Lee Filters and existing architecture Dimensions variable Installation View, 1301PE, Los Angeles, 2008
  92. Index: Conceptualism in California from the Permanent Collection
    2008
    The Caucus Race , 1998 Two (2) video projectors, four (4) video monitors, six (6) media players, one (1) synchronizers and Lee Filters Installation view, Museum of Contemporary Art Los Angeles, 2008  
  93. Human/Nature: Artists Respond to a Changing Planet
    2008
    RARE , 2008 One (1) media player, sixteen (16) flat panel monitors, one (1) distribution amplifier Dimensions variable  Installation view, Human/Nature: Artists Respond to a Changing Planet, Museum of Contempary Art, San Diego, CA, 2008 
  94. The Gallery
    2008
    Perfect Devotion Six, 2006 Six (6) flat panel monitors, one (1) media player, one (1) distribution amplifier Dimensions variable Installation view, David Zwirner Gallery, New York, 2006
  95. Progress
    2008
    Six Color Sun, Horizontal Stack, 2000 Six (6) video monitors, six (6) media players, Lee filters Installation view, Whitney Museum of American Art, New York, NY, 2000
  96. Childsplay
    2008
    Delphine , 1999 Four (4) video projectors, five (5) media playerss, nine (9) video monitors, one (1) synchronizer, Lee filters and existing architecture Dimensions variable Installation view, Children's Museum, San Diego CA, 2008 
  97. Southern Exposure: Work from the collection of the Museum of Contemporary Art, San Diego
    2008
    Jump , 2004 16mm film with sound Installation view, Museum of Contemporary Art Sydney, Australia, 2008
  98. California Video
    2008
    California Video , 2008 Installation view, J Paul Getty Museum, Los Angeles, California, 2008 
  99. Group Show
    2008
    Oculus , 2001 One (1) video projector, one (1) media player, one (1) round mirror, Lee filters and existing architecture Installation view, 1301PE, Los Angeles, CA, 2008
  100. Here is a text about the world
    2008
    Diana Thater, Here is a text about the world Installation View, David Zwirner, 2008
  101. Soundwaves
    2007
    Jump , 2004 16mm color film and sound  Still
  102. Colburn School of Music
    2007
    Installation view, Colburn School of Music, Los Angeles, CA, 2007
  103. L.A. Desire
    2007
    Installation View, Galerie Dennis Kimmerich, Dusseldorf, Germany, 2007
  104. The Present: The Monique Zaifen Collection
    2007
  105. Leitmotifs
    2007
    The best animals are the flat animals , 1998 Two (2) video projectors, two (2) media players, free standing wall and existing architecture Installation View, HZKM Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany, 2003 
  106. ....drawling, stretching and fainting in coils....
    2007
    Off With Their Heads , 2007 Installation View, OSRAM Art Projects/Seven Screens, 2007
  107. Diana Thater: OFF WITH THEIR HEADS
    2007
    Off With Their Heads , 2007 Installation View, OSRAM Art Projects/Seven Screens, 2007
  108. California Institute of Technology
    2007
    California Institute of Technology Public Pro ject , 2008 Three (3) video projectors, one (1) media Player Installation view, Caltech, Pasadena, CA, 2009
  109. I Don't Do Nature
    2007
    Shilo , 1995 One (1) monitor, one (1) media player Dimensions variable Installation view, 1301PE, Los Angeles, CA 2007
  110. relay
    2007
    relay , 2007 One (1) media player with 5.1 Surround Encoder, one (1) LCD video projector, four (4) speakers, Plexiglas, aluminum and fluorescent tubes Installation view, West of Rome, Los Angeles, 2007 
  111. Perfect Devotion, The best space is deep space
    2007
    Perfect Devotion Six , 2006 Six (6) flat panel monitors, one (1) media player, one (1) distribution amplifier Dimensions variable Installation view, Los Angeles County Museum of Art, Los Angeles, 2007 
  112. The Experience of Color: Ann Veronica Janssens & Diana Thater
    2007
    Orange Room (Wallflowers), 2001 Three (3) video projectors, three (3) media players, Lee Filters and existing architecture Dimensions variable Installation view, University Gallery, University of Massachusetts Amherst, Amherst, Massachusetts, 2007
  113. Elsewhere?
    2007
    A Series of Events , 2003 Two (2) monitors, two (2) media players, one (1) synchronizer Dimensions variable Installation view, Galleria Emi Fontana, Milan Italy
  114. After the Situation: Moment Making
    2007
    White is the Color, 2002 Two (2) video projectors, two (2) media players, one (1) lighting fixture, lighting filters and existing architecture Dimensions variable Installation view, Artspace, Newton, Auckland, New Zealand, 2007 
  115. Imaging + Imagining California Modern
    2007
    Wicked Witch, 1996 Five (5) video projectors, five (5) media players Dimensions variable Installation view, Orange County Museum of Art, Newport Beach, California, 2009 
  116. Touch My Shadows: New Media from the Goetz Collection in Munich
    2007
    Foam , 1997 Two (2) video monitors, two (2) media players Dimensions variable 
  117. Beyond Cinema: The Art of Projection
    2006
    The Best Space is the Deep Space , 1998 Two (2) video projectors, two (2) video monitors, four (4) media players, free standing wall and existing architecture Installation View, Hamburger Bahnhof-Museum fur Gegenwart, Berlin, Germany, 2006 
  118. Ectopia: The Second ICP Triennial of Photography and Video
    2006
    Perfect Devotion Two, 2005 One (1) digital projector, one (1) media player, one (1) screen on a tripod, one (1) wooden chair, green gels and existing architecture Dimensions variable Installation International Center fro Photography, New York, New York, 2006
  119. IDYLLE: Traum und Trugschluss
    2006
    Orange Room (Wallflowers), 2001 Three (3) video projectors, three (3) media players, Lee filters and existing architecture Dimensions variable Installation view, Sammlung, Falckenberg, Phoenix Kulturstiftung, Hamburg, Germany, 2007
  120. Yes, Bruce Nauman
    2006
    Shilo , 1995 One (1) monitor, one (1) media player Dimensions Variable  
  121. Ballerina in a Whirlpool: Works by Isa Genzken, Richard Jackson, Roman Singer and Diana Thater from the Hauser & Wirth Collection
    2006
    China , 1995 Six (6) video projectors, six (6) media players, one (1) synchronizer, Lee filters and existing architecture Dimensions variable Installation view, Kunsthalle Baden-Baden, Baden-Baden, Germany
  122. Where the Wild Things Are
    2006
    Perfect Devotion Two , 2005 One (1) digital projector, one (1) media player, one (1) screen on a tripod, one (1) wooden chair, green gels and existing architecture Dimensions variable Installation View, Haunch of Venison, London, 2005 
  123. Four Thursday Nights; Group Dynamics
    2006
    Jump , 2004 16mm color film and sound  Still
  124. Nature Attitudes
    2006
    Continuously Only , 2006 Nine (9) video monitors, one (1) media player, one (1) distribution amplifier Dimensions variable Installation view, Thyssen-Bornemisza Art Contemporary, Vienna, Austria, 2006 
  125. Whitney Biennial 2006: Day for Night
    2006
    Jump , 2004 Production still
  126. Guardami : Percezione del video
    2005
  127. Artists' Books, Revisited
    2005
    Artist's Books Revisited Installation view, Art Metropole, Toronto, Ontario, Canada, 2005
  128. Vertiges
    2005
    Psyche , 2005 Video projections, nine (9) video monitors and existing architecture Installation view, Printemps de Septembre à Toulouse, Toulouse, France
  129. Perpetual Motion, Perfect Devotion
    2005
    Perfect Devotion One , 2005 One (1) digital projector, one (1) media player, one (1) screen on a tripod, one (1) wooden chair, green gels and existing architecture Dimensions variable Installation View, Haunch of Venison, London, 2005
  130. Weathervane
    2005
    White is the Color, 2003 Two (2) video projectors, two (2) media players, one (1) lighting fixture, lighting filters and existing architecture Dimensions variable Installation view, 1301PE, Los Angeles, 2004 
  131. The Real Ideal
    2005
  132. Water, Air, Earth, Fire. At the origins of life between Art and Science
    2005
    Dark Matter, 2003 Two (2) flat screen monitors, two (2) media players and Lee filters Dimensions variable Installation view, University Gallery, University of Massachusetts Amherst, Amherst, Massachusetts, 2007
  133. Main Line Collects: Distinctive Choices
    2005
  134. Beyond the Painted Horizon
    2005
  135. Continuous. Contiguous
    2005
    Continuous. Contiguous., 2005 Four (4) video projectors, three (3) flat screen monitors, seven (7) media players, one (1) synchronizer and existing architecture Dimensions variable Installation view, David Zwirner, New York, 2005 
  136. Diana Thater: New Work
    2005
    Diana Thater, 2005 Exterior view, Zwirner & Wirth, New York, 2005
  137. The Shape of Color: Excursions in Color field Art, 1950-2005
    2005
  138. Pink Daisies, Amber Room
    2005
    Pink Daisies, Amber Room, 2003 Two (2) video projectors, two (2) media players, Lee Filters, mylar and existing architecture Dimensions variable Installation view, 1301PE, Los Angeles, 2005 
  139. Shaw Tower
    2005
    Installation view, Shaw Tower, Vancouver, Canada, 2003-2005
  140. Die Ordnung der Natur
    2005
    knots + surfaces, 2001 Five (5) video projectors, sixteen (16) video monitors, six (6) media players, one (1) distribution amplifier, Lee filters and existing architecture Installation view, OK Offenes Kulturhaus Oberosterreich, Oberosterreich, Austria, 2005
  141. Friedrich Christian Flick Collection im Hamburger Bahnhof
    2004
    Delphine , 1999 Four (4) video projectors, five (5) media players, nine (9) video monitors, one (1) synchronizer, Lee filters and existing architecture Dimensions variable Photo by Roman Maerz Installation view, Hamburger Bahnof- Museum fur Gegenwart, Berlin, Germany, 2004
  142. Keep The Faith - Siegen
    2004
    Siegen Drawing,  2003 Vellum with ink, graphite, pantone film and ink jet prints
  143. Keep The Faith - Bremen
    2004
    Bremen Drawing , 2003 Vellum with ink, graphite, pantone film and ink jet prints  
  144. Keep The Faith - Siegen Drawings
    2004
    Siegen Drawings , 2003 Vellum with ink, graphite, pantone film and ink jet prints Installation view
  145. Keep The Faith - Bremen Drawings
    2004
    Occident Trotting - Bremen Drawing, with notes , 2003 Vellum with ink, graphite, pantone film and ink jet prints
  146. Hypermedia
    2004
    Wicked Witch , 1996 Five (5) video projectors, five (5) media players Dimensions variable Installation view, Orange County Museum of Art, Newport Beach, California, 2004
  147. Animals
    2004
    knots + surfaces, small version #1, 2001 Two (2) video projectors, one (1) video monitor, three (3) media players and existing architecture Dimensions variable Installation view, Haunch of Venison, London, England 2004 
  148. Not Done!
    2004
    Electric Mind, 1996 Six (6) video projectors, two (2) video monitors, eight (8) media players, one (1) synchronizer, Lee filters and existing architecture Dimensions variable Installation view, Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium, 2004 
  149. Ein-leuchten
    2004
    knots + surfaces, 2001 Five (5) video projectors, sixteen (16) video monitors, six (6) media players, one (1) distribution amplifier, and Lee filters Installation view, Dia Center for the Arts, New York, 2001 
  150. White is the Color
    2004
    White is the Color, 2003 Two (2) video projectors, two (2) media players, one (1) lighting fixture, lighting filters and existing architecture Dimensions variable Installation view, 1301PE, Los Angeles, 2004 
  151. Natur ganz Kunst
    2004
  152. 100 Artists See God
    2004
    Composite Sun, 2000 One (1) video monitor, one (1) media players Dimensions variable 
  153. Sitings: Installation Art 1969-2002
    2003
    The Caucus Race , 1998 Two (2) video projectors, four (4) video monitors, six (6) media players, one (1) synchronizers and Lee Filters Installation view, Museum of Contemporary Art Los Angeles, 2008
  154. Fast Forward: Media Works from the Goetz Collection
    2003
    The best animals are the flat animals , 1998 Two (2) video projectors, two (2) media players, free standing wall and existing architecture Installation View, HZKM Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany, 2003 
  155. Of Earth and Sky: Elements in Abstraction
    2003
    White is the Color, 2003 Two (2) video projectors, two (2) media players, one (1) lighting fixture, lighting filters and existing architecture Dimensions variable Installation view, 1301PE, Los Angeles, 2004 
  156. Transcedence is expansion and contraction at the same time
    2003
    A Series of Events , 2003 Two (2) video monitors, two (2) media players, one (1) synchronizer Dimensions Variable Installation view, Haunch of Venison, London, 2003
  157. An International Legacy: Selections from Carnegie Museum of Art
    2003
    The Best Space is the Deep Space , 1998 Two (2) video projectors, two (2) video monitors, four (4) media players, free standing wall and existing architecture Installation View, HZKM Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany, 2003 
  158. Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections
    2002
    Occident Trotting , 1993 One (1) media player, four (4) video projectors Installation view, Witte de with, Rotterdam, Netherlands, 1994 
  159. Parallels and Intersections: ART/WOMEN/CALIFORNIA, 1950-2000
    2002
    Pape's Pumpkin , 1994 Two (2) media players, two (2) video monitors Installation view, Portland Art Museum, Portland, OR, 1996
  160. Bastard PInk
    2002
    Bastard Pink, 2002 One (1) video projector, one (1) media player, Lee Filters, existing architecture Installation view, Galleria Emi Fontana, Milano, 2002 
  161. Sculpture Contemporaine
    2002
  162. Video Topiques: Tours et Retours de "art Video
    2002
    Orange Room (Wallflowers) , 2001 Three (3) video projectors, three (3) media players, Lee Filters and existing architecture Dimensions variable Installation view, David Zwirner, New York, NY, 2001
  163. Diana Thater
    2002
    Diana Thater Installation view, Galerie Hussenot, Paris, 2002
  164. Claude Monet....bis zum Digitalen Impressionismus
    2002
    Beyler Foundation Drawing #3 , 2002 Mylar with ink, graphite, pantone film and ink jet prints 
  165. Das Tier in Mir. Die Mensch-Tier-Verwandtschaft in der Zeitgenossischen Kunst
    2002
  166. Ten Years
    2002
    Purple Flowers Videowall, 2001 Nine (9) video monitors,  one (1) videowall processor, one (1) media player, and Lee filters Dimensions variable Installation view, Hauser & Wirth, Zurich, Switzerland, 2002
  167. Making Nature
    2002
    Shimmer , 1997 Two (2) video monitors, two (2) media players Dimensions variable 
  168. Devices of Wonder: From the World in a Box to Images on a Screen
    2001
    Oculus , 2001 One (1) video projector,  one (1) media player, one (1) Round mirror, Lee filters and existing architecture Installation view, The J. Paul Getty Museum, Los Angles, CA, 2001 
  169. I Love New York
    2001
    Composite Sun, 2000 One (1) video monitor, one (1) media players Dimensions variable 
  170. The sky is unfolding under you
    2001
    Orange Room (Wallflowers) , 2001 Three (3) video projectors, three (3) media players, Lee filters and existing architecture Dimensions variable Installation view, 1301PE, Los Angeles, CA, 2001
  171. Post-Landscape: Between Nature and Culture
    2001
    The best outside is the inside , 1998 Three (3) video projectors, three (3) media players, free standing wall and existing architecture Dimensions variable Installation view, MAK Center for Art + Architecture, 1998
  172. Wechelstrom (Alternating Current) Part 2
    2001
    China , 1995 Six (6) video projectors, six (6) media players, one (1) synchronizer, Lee filters and existing architecture Dimensions variable Panaramic view, Museum Fur Gegenwartskunst, Siegen, 2004  
  173. Bit Streams
    2001
    Six Color Sun, Horizontal Stack, 2000 Six (6) video monitors, six (6) media players, Lee filters Installation view, Whitney Museum of American Art, New York, NY, 2000
  174. Collaborations with Parkett
    2001
  175. Public Offerings
    2001
    RGB Window for MOCA, 2001 Lee Filters  Installation view, Museum of Contemporary Art, Los Angeles, CA, 2001 
  176. Elusive Paradise: The Millennium Prize
    2001
    Big Red Sun, 2000 Nine (9) video monitors, one (1) media player, one (1) videowall processor and Lee filters Dimensions variable Installation view, National Gallery of Canada, Ottawa, 2001
  177. knots + surfaces
    2001
    knots + surfaces, 2001 Five (5) video projectors, sixteen (16) video monitors, six (6) media players, one (1) distribution amplifier, and Lee filters Installation view, Dia Center for the Arts, New York, 2001 
  178. The sky is unfolding under you
    2001
    The sky is unfolding beneath you , 2001 Installation view, David Zwirner, New York, NY 
  179. Diana Thater
    2000
    Ginger Kittens , 1994 Two (2) video projectors, one (1) media player  Dimensions variable Installation view, Tensta Konsthall, Spanga, Sweden, 2000
  180. To Infinity and Beyond: Editions for the Year 2000
    2000
  181. Broken Circle
    2000
    Broken Circle, 1997 Six (6) video projectors, one (1) Video monitor, six (6) media players, one (1) synchronizer and Lee Filters Dimensions variable Exterior view, Museum Fur Gegenwartskunst, Siegen, 2001 - 2005
  182. The American Century: Art and Culture 1900-2000, Part II
    2000
    Six Color Sun, Horizontal Stack , 2000 Six (6) video monitors, six (6) media players, Lee filters Installation view, Whitney Museum of American Art, 2000
  183. Herausforderung Tier
    2000
    The Caucus Race , 1998 Two (2) video projectors, four (4) video monitors, six (6) media players, one (1) synchronizer and Lee Filters Installation view, Patrick Painter, Santa Monica, CA, 1999
  184. Electronic Images: Videokunst 1965- 2000
    2000
  185. Enclosed & Enchanted
    2000
    Oo Fifi: Five Days in Claude Monet's Garden, Part 1 , 1992 One (1) video projector, one (1) media player, Lee Filters and existing architecture Installation view, 1301PE, Los Angeles, CA, 1992 
  186. Making Time: Considering Time as a Material in Contemporary Video and Film
    2000
    The Caucus Race , 1998 Two (2) video projectors, four (4) video monitors, six (6) media players, one (1) synchronizer and Lee Filters Installation view, Patrick Painter, Santa Monica, CA, 1999
  187. Thinking Space: Selections from the Ann & Marshall Webb Collection
    2000
    Moluccan Cockatoo Molly , 1995 (1 - 10) Video installation with window film Dimensions variable Installation view, Schipper & Krome, Koln, Germany, 1995
  188. Sites Around the City: Art and Environment
    2000
    Wicked Witch , 1996 Five (5) video projectors, five (5) media players Dimensions variable Installation view, Orange County Museum of Art, Newport Beach, California, 2004
  189. Diana Thater
    2000
    Six Color Sun, Horizontal Stack , 2000 Six (6) video monitors, six (6) media players, Lee filters Installation view, 1301PE,Los Angeles, CA, 2000
  190. LA-ex
    2000
    Red Sun Videowall, 2000 Four (4) video monitors, four (4) media players, one (1) synchronizer  Dimensions variable  Installation view, Museum Villa Struck, Munich, Germany, 2000 
  191. Delphine
    2000
    Delphine , 1999 Four (4) video projectors, five (5) media players, nine (9) video monitors, one (1) synchronizer, Lee filters and existing architecture Dimensions variable Installation view, Hauser & Wirth, Zurich, Switzerland
  192. The Caucus Race
    2000
    The Caucus Race , 1998 Two (2) video projectors, four (4) video monitors, six (6) media players, one (1) synchronizer and Lee Filters Installation view, Emi Fontana, Milan, Italy 2000
  193. Delphine
    2000
    Delphine , 1999 Four (4) video projectors, five (5) media players, nine (9) video monitors, one (1) synchronizer, Lee filters and existing architecture Dimensions variable Installation view, Vienna Secessions, Vienna, Austria, 2000
  194. Wicked Witch, A Video Installation by Diana Thater
    2000
    Wicked Witch, 1996 Five (5) video projectors, five (5) media players Dimensions variable Installation view, Orange County Museum of Art, Newport Beach, California, 2009 
  195. Carnegie International 1999/2000
    1999
    Delphine and Sun Puzzlepiece Videowall , 2000 Installation view, Carnegie Museum of Art, Pittsburgh, PA, 1999/2000 
  196. Searchlight; Consciousness at the Millennium
    1999
    Perspective is an Energy , 1995 Four (4) video monitors, four (4) media players, plywood tale top, two (2) saw horses  Installation view, David Zwirner, New York, NY, 1996 
  197. Diana Thater
    1999
    The best outside is the inside, 1998 Two (2) video monitors, two (2) media players Installation view, H & R Projects, Brussels, Belgium 
  198. Diana Thater
    1999
    The best animals are the flat animals, Stacked monitors , 1998 Five (5) video monitors, five (5) media players Installation view, Allen Memorial Art Museum, Oberlin College, Oberlin, OH, 1998
  199. The Caucus Race
    1999
    The Caucus Race , 1998 Two (2) video projectors, four (4) video monitors, six (6) media players, one (1) synchronizer and Lee Filters Installation view, Patrick Painter, Santa Monica, CA, 1999
  200. Collection FRAC Rhones-Alpes
    1999
    The best animals are the flat animals, version 2 , 1998 Two (2) video projectors, one (1) video monitor, two (2) media players, Lee Filters, existing architecture Installation View, MAK Center for the Art + Architecture, Los Angeles, CA, 1998
  201. Art/Journalism
    1999
    If I was in LA , 1997 One (1) video monitor, one (1) media player Installation view, Castellodi Rivioli, Museo D'Arte Contmporanea, Turin, Italy, 1997 
  202. Gallery Artists Summer Show
    1999
    The best animals are the flat animals, Stacked monitors , 1998 Five (5) video monitors, five (5) media players Installation view, Allen Memorial Art Museum, Oberlin College, Oberlin, OH, 1998
  203. Trouble Spot. Painting
    1999
    Oo Fifi: Five Days in Claude Monet's Garden, Part 1 , 1992 One (1) video projector, one (1) media player, Lee Filters and existing architecture Installation view, 1301PE, Los Angeles, CA, 1992 
  204. The best space is the deep space
    1999
    The Best Space is the Deep Space , 1998 Two (2) video projectors, two (2) video monitors, four (4) media players, free standing wall and existing architecture Installation View, HZKM Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany, 2003 
  205. The best outside is the inside
    1999
    The best outside is the inside, 1998 Three (3) video projectors, three (3) media players, free standing wall and existing architecture Dimensions variable Installation view, The Saint Louis Art Museum, St. Louis, Missouri 
  206. The best sense is the nonsense
    1999
    The best sense is the nonsense , 1998 Two (2) video projectors, one (1) video monitor, three (3) media players, free standing wall and existing architecture Installation view, York University Art Gallery, Toronto, Canada
  207. The best animals are the flat animals- the best space is the deep space
    1998
    The best animals are the flat animals, version 2 , 1998 Two (2) video projectors, one (1) video monitor, two (2) media players, Lee Filters, existing architecture Installation View, MAK Center for the Art + Architecture, Los Angeles, CA, 1998
  208. Project 64. Diana Thater: The best animals are the flat animals
    1998
    The best animals are the flat animals, version 1 , 1998 Two (2) video projectors, two (2) media players, free standing wall and existing architecture Installation view, Museum of Modern Art, New York, NY, 1998
  209. Diana Thater
    1998
  210. The best space is the deep space, TIme Based Media 1998-99: Diana Thater
    1998
    The best animals are the flat animals, Stacked monitors , 1998 Five (5) video monitors, five (5) media players Installation view, Allen Memorial Art Museum, Oberlin College, Oberlin, OH, 1998
  211. Diana Thater: Video Installations
    1998
    Abyss of Light , 1993 Three (3) video projectors, three (3) media players, one (1) synchronizer, Lee filters and existing architecture Installation view, 1301PE, Los Angeles, CA, 1993 
  212. Auf der Spur: Kunst der 90er Jahre im Spiegel von Scheizer Sammlungen
    1998
  213. Light x Eight: The Hanukkah Project
    1998
    Nature is a Language, Can't you read?, 1997 One (1) video projector, two (2) video monitors, three (3) media players, one (1) synchronizer Installation view, Walker Art Center, Minneapolis, MN, 1997
  214. Five Years, 1993-1998
    1998
    Foam , 1997 Two (2) video monitors, two (2) media players Dimensions variable 
  215. Span: Jessica Bronson, Mariko Mori, Diana Thater
    1998
  216. View One
    1998
    Surface Effect, 1997 Two (2) video monitors, two (2) media players Dimensions variable  
  217. Multiple Identity: American Art from the Whitney Museum 1975 - 1995
    1997
    Scarlet Macaw Crayons , 1995 One (1) video projector, one (1) media player, Lee filters and existing architecture Dimensions Variable Installation view, David Zwirner, New York, NY, 1996
  218. Trade Routes: History and Geography, 1997, Johannesburg Biennale
    1997
    Shilo , 1995 One (1) monitor, one (1) media player Dimensions Variable  
  219. Diana Thater: Orchids in the Land of Technology
    1997
    Diana Thater: Orchids in the Land of Technology , 1997 Exterior view, Walker Art Center, Minneapolis, MN 
  220. Skulptur. Projekte in Munster 1997
    1997
    Broken Circle , 1997 Six (6) video projectors, one (1) video monitor, six (6) media players, one (1) synchronizer, Lee Filters and existing architecture Exterior view,  Skulptur Projectke in Munster, Munster, Germany, 1997
  221. Sunshine & Noir: Art in LA 1960 - 1997
    1997
    If I was in LA , 1997 One (1) video monitor, one (1) media player Installation view, Castellodi Rivioli, Museo D'Arte Contmporanea, Turin, Italy, 1997 
  222. Between Lantern and Laser
    1997
    Scarlet Macaw Crayons , 1995 One (1) video projector, one (1) media player, Lee filters and existing architecture Dimensions Variable Installation view, Henry Art Gallery, Seattle, 1997 Moluccan Cockatoo Molly , 1995 Video installation with window film Dimensions Variable Installation view, Henry Art Gallery, Seattle, 1997  
  223. Whitney Biennial Exhibition
    1997
    Electric Mind, 1996 Six (6) video projectors, two (2) video monitors, eight (8) media players, one (1) synchronizer, Lee filters and existing architecture Installation view, Walker Art Center, Minneapolis, MN, 1997
  224. True, BLISS
    1996
  225. Art at the End of the 20th Century: Selections from the Whitney Museum of American Art
    1996
  226. Painting - The Extended Field
    1996
    Occident Trotting, 1993 one (1) media player, four (4) video projectors Installation view, Witte de with, Rotterdam, Netherlands, 1994 
  227. Being and Time: The Emergence of Video Projection
    1996
    Oo Fifi: Five Days in Claude Monet's Garden, Part 1 , 1992 One (1) video projector, one (1) media player, Lee Filters and existing architecture Installation view, 1301PE, Los Angeles, CA, 1992 
  228. The Individual as a species, the object as a medium, Diana Thater, Selected Works 1992-1996
    1996
    The Object as a Medium , 1996 Five (5) video monitors, five (5) media players Installation view, David Zwirner, NY, 1996 
  229. Electric Mind and Recent Works
    1996
    Electric Mind , 1996 Six (6) video projectors, two (2) video monitors, eight (8) media players, one (1) synchronizer, Lee filters and existing architecture Dimensions variable Installation view, Portland Museum of Art, Portland, Oregon, 1996
  230. Wicked Witch
    1996
    Wicked Witch , 1996 Five (5) video projectors, five (5) media players Dimensions variable Installation view, Temporary Contemporary at the Baltic Flour Mill, Gateshead, England
  231. Jurassic Technologies Revenant: 10th Biennale Sydney
    1996
    Oo Fifi: Five Days in Claude Monet's Garden, Part 1 , 1992 One (1) video projector, one (1) media player, Lee Filters and existing architecture Installation view, 1301PE, Los Angeles, CA, 1992 
  232. Electric Mind
    1996
    Electric Mind, 1996 Six (6) video projectors, two (2) video monitors, eight (8) media players, one (1) synchronizer, Lee filters and existing architecture Installation view, Salzburger Kunstverein, Salzburg , Austria, 1996
  233. Wunderbar
    1996
    Electric Mind , 1996 Six (6) video projectors, two (2) video monitors, eight (8) media players, one (1) synchronizer, Lee filters and existing architecture Dimensions variable Installation view, Portland Museum of Art, Portland, Oregon, 1996
  234. China, Crayons & Molly Numbers 1 through 10
    1996
    China , 1995 Six (6) video projectors, six (6) media players, one (1) synchronizer, Lee filters and existing architecture Dimensions variable Installation view, David Zwirner, New York, NY, 1996
  235. Beyond the Borders: Gwangju Biennale
    1995
    Oo Fifi: Five Days in Claude Monet's Garden, Part 1 , 1992 One (1) video projector, one (1) media player, Lee Filters and existing architecture Installation view, 1301PE, Los Angeles, CA, 1992 
  236. Surroundings
    1995
    Abyss of Light , 1993 Three (3) video projectors, three (3) media players, one (1) synchronizer, Lee filters and existing architecture Installation view, 1301PE, Los Angeles, CA, 1993 
  237. Crayons & Molly Numbers 1 through 10
    1995
    Moluccan Cockatoo Molly , 1995 (1 - 10) Video installation with window film Dimensions variable Installation view, Schipper & Krome, Koln, Germany, 1995
  238. Biennale d'Art Contemporain de Lyon
    1995
    Perspective is an Energy , 1995 Four (4) video monitors, four (4) media players Installation view, Serralves Foundation, Lyon, France
  239. China
    1995
    From China To Shilo Part 1 (Left side)  From China To Shilo Part 2 (Center) Shilo (Right side)  Each work: Two (2) media players, two (2) video monitors Installation view, Le Creux de l'Enfer Centre d'Art Contemporain a Thiers, Theirs, France, 1995
  240. Limiaries/Threshold: Recent American Sculpture
    1995
    Perspective is an Energy , 1995 Four (4) video monitors, four (4) media players, plywood tale top, two (2) saw horses  Installation view, David Zwirner, New York, NY, 1996 
  241. 1995 Whitney Biennial
    1995
    The Bad Infinite, 1993 Three (3) media players, three (3) video projectors, one (1) synchronizer, existing architecture Installation view, Long Beach Museum of Art, 1993 
  242. China
    1995
    China , 1995 Six (6) video projectors, six (6) media players, one (1) synchronizer, Lee filters and existing architecture Dimensions variable Installation view, Renaissance Society at the university of Chicago, Chicago, Illinois, 1995 
  243. Pure Beauty
    1994
    Wyoming Alogon , 1994 Three (3) video projectors, three (3) media players, one (1) synchronizers, Lee Filters and existing architecture Dimensions variable Installation view, American Center, Paris, 1994 
  244. Diana Thater
    1994
    Abyss of Light , 1993 Three (3) video projectors, three (3) media players, one (1) synchronizer, Lee Filters and existing architecture Installation view, Exterior, Witte de with, Rotterdam, Netherlands, 1994 
  245. Stan Douglas; Jason Rhoades; Diana Thater; Franz West; Summer Group Show
    1994
    Stan Douglas, Jason Rhoades, Diana Thater, Franz West, Summer Group Show , 1994 Installation view, David Zwirner, New York NY, 1994 
  246. Ginger Kittens
    1994
    Ginger Kittens , 1994 Two (2) video projectors, one (1) media player Dimensions variable Installation view, Friesenwall 116a, Cologne, Germany
  247. Temporary Translation(s): Sammlung Schurmann
    1994
    Abyss of Light , 1993 Three (3) video projectors, three (3) media players, one (1) synchronizer, Lee filters and existing architecture Installation view, 1301PE, Los Angeles, CA, 1993 
  248. Late & Soon (Occident Trotting)
    1993
    Late and Soon (Occident Trotting), 1993 Four (4) video projectors, one (1) media player, Lee filters and existing architecture Installation view, David Zwirner, New York, NY, 1993 
  249. Sugar 'n' Spice
    1993
    The Bad Infinite, 1993 Three (3) media players, three (3) video projectors, one (1) synchronizer, existing architecture Installation view, Long Beach Museum of Art, 1993 
  250. Abyss of Light
    1993
    Abyss of Light , 1993 Three (3) video projectors, three (3) media players, one (1) synchronizer, Lee filters and existing architecture Installation view, 1301PE, Los Angeles, CA, 1993 
  251. Emblazoned Ciphers of the Visible
    1993
  252. The Time
    1993
  253. Up to the Lintel: Bliss
    1992
    Up to the Lintel:Bliss, 1992 Five (5) video projectors, five (5) media players, Lee Filters and existing architecture Installation view, Bliss House, Pasadena, CA, 1992  
  254. Up to the Lintel: Bliss
    1992
  255. Very,Very,Very
    1992
    Oo Fifi: Five Days in Claude Monet's Garden, Part 1 , 1992 One (1) video projector, one (1) media player, Lee Filters and existing architecture Installation view, 1301PE, Los Angeles, CA, 1992 
  256. Into the Lapse
    1992
  257. Rhythms of Earth and Water
    1991
  258. Dogs and Other Philosophers
    1991
    Dogs and Other Philosophers , 1991 One (1) video projector, one (1) media player, one (1) video mixer, plexiglass, existing architecture Installation view, Dorothy Goldeen Gallery, Santa Monica, CA, 1991
  259. With/Out
    1990
    With/Out , 1990 Four (4) video projectors, four (4) media players, sand blasted glass, existing architecture Installation view, Art Center College of Design, Pasadena, CA, 1990 
  260. Heart in Mouth
    1990