1. A Wild Kingdom
    2023
    A Wild Kingdom , 2023 Site specific installation Installation view, Noor Festival, 2023  Photo by Mohammed Buhasan
  2. Practical Effects
    2022
    Practical Effects , 2022 One (1) tent, five (5) projectors, five (5) media players, and six (6) DMX lights Photo by Kerry McFate Installation view David Zwirner, New York, NY
  3. The Friendly Skies
    2021
    The Friendly Skies , 2021 Window film installation (Window film image by T. Kelly Mason) Tom Bradley Terminal, LAX Photo by SKA Studios, LLC courtesy of the Los Angeles world Airports and the City of Los Angeles Department of Cultural Affairs
  4. The Conversation
    2021
    The Conversation , 2021 Four (4) flat panel monitors, four (4) speakers, window film and existing architecture Photo by Fredrik Nilsen Installation view 1301PE, Los Angeles, CA
  5. Yes, there will be singing
    2020
    Yes, there will be singing , 2020 Live stream Four (4) video cameras, four (4) speakers, theatrical lights and existing architecture
  6. Flora
    2020
    Flora , 2020 Four (4) monitor videowall
  7. Natural History Two
    2019
    Natural History Two , 2019 Five (5) monitors, one (1) media player and two (2) LED light fixtures Installation view, David Zwirner, NY
  8. Natural History One
    2019
    Natural History One , 2019 Five (5) monitors, one (1) media player and two (2) LED light fixtures
  9. True Life Adventures (Videowall)
    2019
    True Life Adventures (Videowall), 2019 Nine (9) monitor videowall
  10. Collage with Elephant, Sky, and Tree
    2019
    Collage with Elephant , Tree, and Sky, 2019 Nine (9) monitor videowall
  11. True Life Adventures (Site-specific video projection)
    2018
    True Life Adventures , 2018 Digital video projection on existing architecture Installation view, Merchandise Mart, Chicago, Illinois Sound by T. Kelly Mason
  12. Time Compressed
    2017
    Time Compressed , 2017 Nine (9) monitor videowall Installation view, Borusan Contemporary, Istanbul, Turkey, 2017
  13. RGB Windows for MOCA adapted for The Underground Museum
    2017
    RGB Window for MOCA adapted for The Underground Museum , 2001- 2018 Installation designed by DIANA THATER and Lorcan O'Herlihy Architects (LOHA) Installation view, The Underground Museum, Los Angeles, CA
  14. A Runaway World
    2017
    A Runaway World , 2017 Two (2) custom screens, two (2) video projectors, two (2) media players Installation view, The Mistake Room, Los Angeles 2017
  15. As Radical as Reality
    2016
    As Radical as Reality , 2017 Two (2) custom screens, two (2) video projectors, two (2) media players Installation view, The Mistake Room, Los Angeles 2017
  16. Colorvision Orange
    2016
    Colorvision Orange, 2016 One (1) flat panel monitor, one (1) hard drive Dimensions variable Installation View, 1301PE, Los Angeles, 2016
  17. Colorvision Purple
    2016
    Colorvision Purple, 2016 One (1) flat panel monitor, one (1) hard drive Dimensions variable Installation View, 1301PE, Los Angeles, 2016
  18. Colorvision Red
    2016
    Colorvision Red, 2016 One (1) flat panel monitor, one (1) hard drive Dimensions variable Installation View, 1301PE, Los Angeles, 2016
  19. Colorvision Cyan
    2016
    Colorvision Cyan, 2016 One (1) flat panel monitor, one (1) hard drive Dimensions variable Installation View, 1301PE, Los Angeles, 2016
  20. Colorvision Green
    2016
    Colorvision Green, 2016 One (1) flat panel monitor, one (1) hard drive Dimensions variable Installation View, 1301PE, Los Angeles, 2016
  21. Colorvision Magenta
    2016
    Colorvision Magenta, 2016 One (1) flat panel monitor, one (1) hard drive Dimensions variable Installation View, 1301PE, Los Angeles, 2016
  22. Colorvision Blue
    2016
    Colorvision Blue, 2016 One (1) flat panel monitor, one (1) hard drive Dimensions variable Installation View, 1301PE, Los Angeles, 2016
  23. Colorvision Yellow
    2016
    Colorvision Yellow, 2016 One (1) flat panel monitor, one (1) hard drive Dimensions variable Installation View, 1301PE, Los Angeles, 2016
  24. LIfe is a Time-Based Medium
    2015
    Life is a Time-Based Medium Three (3) video projectors, one (1) Watch-Out system, one (1) media player Dimensions variable Installation view, Hauser & Wirth, London, United Kingdom, 2015
  25. The Starry Messenger
    2014
    The Starry Messenger , 2014 Nine (9) monitor video wall 68 3/8 x 121 x 3 5/8 inches  Sidereus Nunsius,  2014 Nine (9) monitor video wall 68 3/8 x 121 x 3 5/8 inches  Installation view, David Zwirner Gallery, New York, 2015
  26. Sidereus Nuncius
    2014
    The Starry Messenger , 2014 Nine (9) monitor video wall 68 3/8 x 121 x 3 5/8 inches  Sidereus Nunsius,  2014 Nine (9) monitor video wall 68 3/8 x 121 x 3 5/8 inches  Installation view, David Zwirner Gallery, New York, 2015
  27. Science, Fiction
    2014
    Sidereus Nuncius , 2014 Nine (9) monitor video wall 68 3/8 x 121 x 3 5/8 inches  Science, Fiction , 2014 Installation for two (2) video projectors, one (1) watchout system, and lights Dimensions Variable Installation view, David Zwirner Gallery, New York, 2015
  28. Science, Fiction (Two)
    2014
    Science, Fiction , 2014 Installation for two (2) video projectors, one (1) watchout system, and lights Dimensions Variable Installation view, San Jose Museum of Art, San Jose, California, 2015
  29. The Road to Hana One
    2014
    The Road to Hana One , 2014 Nine (9) monitor videowall
  30. The Road to Hana Two
    2014
    The Road to Hana Two , 2014 Nine (9) monitor videowall
  31. The Road to Hana Three
    2014
    The Road to Hana Three , 2014 Nine (9) monitor videowall
  32. Day For Night One
    2013
    Day For Night One , 2013 Nine (9) monitor videowall  
  33. Day For Night Two
    2013
    Day For Night Two , 2013 Nine (9) monitor videowall  
  34. Day For Night Three
    2013
    Day For Night Three , 2013 Nine (9) monitor videowall  
  35. Day For Night Four
    2013
    Day For Night Four , 2013 Nine (9) monitor videowall  
  36. Untitled
    2013
    Untitled , 2013 Videowall installation for a lobby in Washington D.C. Videowall and existing architecture
  37. Female Peregrine Falcon (Brook)
    2012
    Female Peregrine Falcon (Brook) , 2012 One (1) flat panel monitor, one (1) media player Dimensions variable Photo by Fredrik Nilsen
  38. Male Gyr-Peregrine Falcon (Shizzle)
    2012
    Male Gyr-Peregrine Falcon (Shizzle) , 2012 One (1) flat panel monitor, one (1) media player Dimensions variable Photo by Fredrik Nilsen
  39. Male Gyr-Peregrine Falcon (Grim)
    2012
    Male Gyr-Peregrine Falcon (Grim), 2012 One (1) flat panel monitor, one (1) media player Dimensions variable Photo by Fredrik Nilsen
  40. Male Goshawk (Sarge)
    2012
    Male Goshawk (Sarge ), 2012 One (1) flat panel monitor, one (1) media player Dimensions variable Photo by Fredrik Nilsen
  41. Female Gyr-Prarie Falcon (Shumla)
    2012
    Female Gyr-Prarie Falcon (Shumla), 2012 One (1) flat panel monitor, one (1) media player Dimensions variable Photo by Fredrik Nilsen
  42. Male Eurasian Eagle Owl (Big Bird)
    2012
    Male Eurasian Eagle Owl (Big Bird) , 2012 One (1) flat panel monitor, one (1) media player Dimensions variable Photo by Fredrik Nilsen
  43. B. Die Strafe Beginnt
    2012
    B. Die Strafe Beginnt , 2012 Collaborative project with Christopher Williams One (1) flat panel monitor, one (1) media player Dimensions variable
  44. A. Die Strafe Beginnt
    2012
    A. Die Strafe Beginnt , 2012 Collaborative project with Christopher Williams One (1) flat panel monitor, one (1) media player Dimensions variable
  45. OZ
    2012
    Dualities,  2012 Installation view, Commission for Bank of America Plaza, Los Angeles, California
  46. Untitled (Jason)
    2011
    Untitled (Jason) , 2011 Four (4) monitors, one (1) media player Dimensions variable 
  47. Untitled (Joe and Marc)
    2011
    Untitled (Joe and Marc) , 2011 Four (4) monitors, one (1) media player Dimensions variable 
  48. Untitled (Eddie)
    2011
    Untitled (Eddie) , 2011 Four (4) monitors, one (1) media player Dimensions variable 
  49. Untitled (Sylvester and Tweety)
    2011
    Untitled (Sylvester and Tweeter) , 2011 Four (4) monitors, one (1) media player Dimensions variable 
  50. Untitled (Patti)
    2011
    Untitled (Patti) , 2011 Four (4) monitors, one (1) media player Dimensions variable 
  51. Untitled (Ann and Chris)
    2011
    Untitled (Ann and Chris) , 2011 Four (4) monitors, one (1) media player Dimensions variable 
  52. Untitled (Kelly)
    2011
    Untitled (Kelly) , 2011 Four (4) monitors, one (1) media player Dimensions variable 
  53. Untitled (TJ)
    2011
    Untitled (TJ) , 2011 Four (4) monitors, one (1) media player Dimensions variable 
  54. Untitled (David and Harlan)
    2011
    Untitled (David and Harlan) , 2011 Four (4) monitors, one (1) media player Dimensions variable 
  55. Untitled (David and Alex)
    2011
    Untitled (David and Alex) , 2011 Four (4) monitors, one (1) media player Dimensions variable 
  56. Chernobyl
    2011
    Chernobyl, 2011 Six (6) video projectors, six (6) media players, Lee filters Dimensions variable Installation view, David Zwirner Gallery, New York, 2012
  57. Peonies
    2011
    Peonies,  2011 Nine (9) video monitors, one (1) media player Dimensions variable Installation view, Hauser & Wirth, London, UK, 2011
  58. Georges Koltanowski vs. Marcel Duchamp, Paris, 1929 (Played by Ellen Simon and Cybelle Tondu), 2010
    2010
    Georges Koltanowski vs. Marcel Duchamp, Paris, 1929 (Played by Ellen Simon and Cybelle Tondu),  2010 Four (4) monitors, one (1) media player, Dimensions variable  Installation view, World Chess Hall of Fame and Museum, St. Louis, Missouri, 2011 
  59. Between Science and Magic
    2010
    Between Science and Magic , 2010 Two (2) 16mm films, two (2) modified Eiki RT-0 projectors with custom loopers, two (2) amplifiers, two (2) equalizers, four (4) speakers  Dimensions variable Installation view, David Zwirner, New York, NY 2010
  60. Portrait of Josephine
    2010
    Portrait of Josephine Diana Thater, 2010  C-print Framed: 51 x 34 1/4 x 1 5/8 inches 129.5 x 87 x 4.1 cm Paper: 50 x 36 1/2 inches 127 x 92.7 cm  
  61. Portrait of a Magician
    2010
    Portrait of a Magician Diana Thater, 2010  C-print Diptych 
  62. Portrait of a Film Shoot
    2010
    Portrait of a Film Shoot Diana Thater, 2010 C-print triptych 
  63. Rrose Selatranny
    2009
    Rrose Selatranny , 2009 One (1) flat panel monitor, one (1) media player Dimensions variable Installation view, David Zwirner, New York, New York, 2009
  64. gorillagorillagorilla
    2009
    gorillagorillagorilla , 2009 Six (6) video projectors, two (2) video monitors, eight (8) media players, Lee Filters and existing architecture Installation view, The Natural History Museum, London, England, 2009
  65. California Institute of Technology
    2008
    California Institute of Technology Public Pro ject , 2008 Three (3) video projectors, one (1) media Player Installation view, Caltech, Pasadena, CA, 2009
  66. Untitled Videowall (Butterflies)
    2008
    Untitled Videowall (Butterflies), 2008 Six (6) flat screen LCD monitors, one (1) media player, one (1) distribution amplifier, one (1) fluorescent light fixtures, Lee Filters and existing architecture Dimensions variable Installation View, 1301PE, Los Angeles, 2008
  67. RARE
    2008
    RARE, 2008 One (1) media player, sixteen (16) flat panel monitors, one (1) distribution amplifier Dimensions variable  Installation view, Human/Nature: Artists Respond to a Changing Planet, Berkeley Art Museum, Berkeley, CA, 2009
  68. Untitled (Butterfly Videowall #2)
    2008
    Untitled (Butterfly Videowall #2) , 2008 Five (5) flat screen LCD monitors, one (1) media player, one (1) distribution amplifier, two (2) fluorescent light fixtures, Lee filters and existing architecture Dimensions variable Installation View, Museum Krefeld, Krefeld Germany  
  69. No Art Without Transformation
    2008
    No Art Without Transformation Bobby Fischer (usa) vs. Boris Spassky (ussr) 1972 World Championship Match Game 6 - Queen's Gambit Declined "d59", 2008 One (1) flat panel monitor, one (1) media player Dimensions Variable 
  70. Like Me You Are Unlike Me
    2008
    Like Me You Are Unlike Me The Game of the Century Donald Bryne vs. Bobby Fischer Rosenwald Memorial Tournament, 2008  One (1) flat panel monitor, one (1) media player Dimensions Variable  
  71. Staying is Nowhere
    2008
    Staying is Nowhere Bobby Fischer vs. Boris Spassky 1992 World Championship Match Game 1 - Ruy Lopez "c95, 2008  One (1) flat panel monitor, one (1) media player Dimensions Variable  
  72. A Cast of Falcons
    2008
    A Cast of Falcons , 2008 Two (2) video projectors, two (2) media players, one (1) synchronizer, one (1) Source Four light Dimensions variable Installation View, David Zwirner, New York, 2008 
  73. Horus
    2008
    Horus , 2008 Two (2) video projectors, two (2) media players, one (1) synchronizer, one (1) Source Four light Dimensions variable Installation View, David Zwirner, New York, 2008 
  74. The Immortal Game
    2008
    The Immortal Game Adolf Anderssen vs. Lionel Kieseritzky June 21, 1851 London (Played by Nathaniel Lagemann and Jennifer Acon) , 2008  One (1) flat panel monitor, one (1) media player Dimensions Variable   
  75. Garry Kasporov vs. Deep Junior
    2008
    Garry Kasparov vs. Deep Junior Game 1 January 26, 2003 New York (Played by Mick Bighamian and Nathaniel Lagemann), 2008  One (1) flat panel monitor, one (1) media player Dimensions variable  
  76. Object Lesson (Sicilian Dragon)
    2008
    Object Lesson ( Sicilian Dragon) Written by Mick Bighamian, Senior Master September 2007 (Played by Jennifer Acon and Mick Bighamian), 2008  One (1) flat panel monitor, one (1) media player Dimensions Variable  
  77. Here is a text about the world
    2008
    Here is a text about the world Written by Mick Bighamian, Senior Master September, 2007 (Played by Nathaniel Lagermann and Mick Bighamian), 2008  One (1) flat panel monitor, one (1) media player Dimensions Variable  
  78. Blitz
    2008
    Blitz , 2008 Six (6) video monitors, six (6) media players Dimensions variable Installation View, David Zwirner, New York, 2008 
  79. OFF WITH THEIR HEADS!
    2008
    OFF WITH THEIR HEADS! Alice vs. The red Queen From Through the Looking Glass by Lewis Carroll, 1896 (Played by Diana Thater), 2008 One (1) flat panel monitor, one (1) media player Dimensions Variable  
  80. Shumla
    2008
    Shumla (a female Gyr/Prairie falcon, handled by Ashlee Miknuk) (Photo by Fredrick Nilsen for Diana Thater) , 2008 C-print Framed: 53 x 35 5/8 x 2 inches Image Size: 52 x 34 5/8 inches 
  81. Off With Their Heads
    2007
    Off With Their Heads , 2007 Installation View, OSRAM Art Projects/Seven Screens, 2007
  82. relay
    2007
    relay, 2007 One (1) media player with 5.1 Surround Encoder, one (1) LCD video projector, four (4) speakers, Plexiglas, aluminum and fluorescent tubes Installation view, Pinakothek der Moderne, Munich, Germany, 2007
  83. Perfect Devotion Six
    2006
    Perfect Devotion Six , 2006 Six (6) flat panel monitors, one (1) media player, one (1) distribution amplifier Dimensions variable Installation view, David Zwirner Gallery, New York, 2006
  84. Continuous Only
    2006
    California Video , 2008 with Surface Effect, 1997 Two (2) video monitors, two (2) media players Dimensions variable and Continuously Only , 2006 Nine (9) video monitors, one (1) media player, one (1) distribution amplifier Dimensions variable Installation view, J Paul Getty Museum, Los Angeles, California, 2008
  85. Hamburger Bahnhof Drawing #1
    2006
    Hamburger Bahnhof  Drawing #1 , 2006 Mylar with ink, graphite, pantone film and ink jet prints  
  86. Hamburger Bahnhof Drawing #2
    2006
    Hamburger Bahnhof Drawing #2, 2006 Mylar with ink, graphite, pantone film and ink jet prints
  87. Continuous. Contiguous.
    2005
    Continuous. Contiguous., 2005 Four (4) video projectors, three (3) flat screen monitors, seven (7) media players, one (1) synchronizer and existing architecture Dimensions variable Installation view, David Zwirner, New York, 2005 
  88. Zwirner & Wirth Exhibition (jan 7-feb 5) #1
    2005
  89. Zwirner & Wirth Exhibition (jan 7-feb 5) #2
    2005
    Zwirner & Wirth Exhibition (Jan 7- Feb 5) #2 , 2005 Mylar with ink, graphite, pantone film and ink jet prints  
  90. Zwirner & Wirth Exhibition (jan 7-feb 5) #3
    2005
    Zwirner & Wirth Exhibition (Jan 7- Feb 5) #3 , 2005 Mylar with ink, graphite, pantone film and ink jet prints  
  91. Zwirner & Wirth Exhibition (jan 7- feb 5) #4
    2005
    Zwirner & Wirth Exhibition (jan 7- feb 5) #4 , 2005 Mylar with ink, graphite, pantone film and ink jet prints 
  92. Pink Daises, Amber Room Drawings for 1301PE
    2005
    Pink Daisies, Amber Room Drawings for 1301PE, 2005 Vellum with ink, graphite, pantone film, and ink jet prints 21 1/2 x 21 1/2 inches (54.6 x 54.6 cm)
  93. Psyche
    2005
    Psyche , 2005 Video projections, nine (9) video monitors and existing architecture Installation view, Printemps de Septembre à Toulouse, Toulouse, France
  94. Untitled ( Toulouse Drawings ) Diptych #1
    2005
    Untitled (Toulouse Drawings) Diptych #1 , 2005 Mylar with ink, graphite, pantone film and ink jet prints  92 x 68cm 
  95. Untitled ( Toulouse Drawings ) Diptych #2
    2005
    Untitled (Toulouse Drawings) Diptych #2 , 2005 Mylar with ink, graphite, pantone film and ink jet prints  92 x 68cm 
  96. Perpetual Motion One
    2005
    Perpetual Motion One , 2005 Nine (9) flat panel monitors, one (1) distribution amplifier, one (1) media players Installation view, Haunch of Venison, London, 2005 
  97. Perpetual Motion Two
    2005
    Perpetual Motion Two, 2005 Nine (9) flat panel monitors, one (1) distribution amplifier, one (1) media player Dimensions variable Installation view, The Vanmoerkerke Collection, Oostende, Belgium, 2009
  98. Perfect Devotion One
    2005
    Perfect Devotion One , 2005 One (1) digital projector, one (1) media player, one (1) screen on a tripod, one (1) wooden chair, green gels and existing architecture Dimensions variable Installation View, Haunch of Venison, London, 2005
  99. Perfect Devotion Two
    2005
    Perfect Devotion Two , 2005 One (1) digital projector, one (1) media player, one (1) screen on a tripod, one (1) wooden chair, green gels and existing architecture Dimensions variable Installation View, Haunch of Venison, London, 2005 
  100. Perfect Devotion Three
    2005
    Perfect Devotion Three , 2005 One (1) digital projector, one (1) media player, one (1) screen on a tripod, one (1) wooden chair, green gels and existing architecture Dimensions variable Installation View, Haunch of Venison, London, 2005
  101. Perfect Devotion Four
    2005
    Perfect Devotion Four,  2005 One (1) digital projector, one (1) media player, one (1) screen on a tripod, one (1) wooden chair, green gels and existing architecture Dimensions variable Installation view, 1301PE, Los Angeles, 2008 
  102. Perfect Devotion Five
    2005
    Perfect Devotion Five , 2008 One (1) digital projector, one (1) media player, one (1) screen on a tripod, one (1) wooden chair, green gels and existing architecture Dimensions variable Installation View, 1301PE, Los Angels, 2008 
  103. Haunch of Venison Drawing #1
    2005
    Haunch of Venison Drawing #1 , 2005 Mylar with ink, graphite, pantone film and ink jet prints   
  104. Haunch of Venison Drawing #2
    2005
    Haunch of Venison Drawing #2 , 2005 Mylar with ink, graphite, pantone film and ink jet prints  
  105. Haunch of Venison Drawing #3
    2005
    Haunch of Venison Drawing #3, 2005 Mylar with ink, graphite, pantone film and ink jet prints
  106. David Zwirner Exhibition (January 7- February 5) #1
    2005
    David Zwirner Drawing #1 , 2005 Mylar with Ink, graphite, pantone film and ink jet prints 
  107. David Zwirner Exhibition (January 7- February 5) #2
    2005
    David Zwirner Drawing #2 , 2005 Mylar with Ink, graphite, pantone film and ink jet prints 
  108. David Zwirner Exhibition (January 7- February 5) #3
    2005
    David Zwirner Drawing #3, 2005 Mylar with INk, graphite, pantone film and ink jet prints 
  109. David Zwirner Exhibition (January 7- February 5) #4
    2005
    David Zwirner Drawing #4 , 2005 Mylar with Ink, graphite, pantone film and ink jet prints 
  110. JUMP
    2004
    Jump , 2004 16mm film with sound Installation view, Museum of Contemporary Art Sydney, Australia, 2008
  111. Bremen Installation Drawings
    2004
    Occident Trotting - Bremen Drawing, with notes , 2003 Vellum with ink, graphite, pantone film and ink jet prints
  112. Siegen Installation Drawings
    2004
    Siegen Drawings , 2003 Vellum with ink, graphite, pantone film and ink jet prints Installation view
  113. A Series of Events
    2003
    A Series of Events , 2003 Two (2) monitors, two (2) media players, one (1) synchronizer Dimensions variable Installation view, 1301PE, Los Angeles, CA, 2009
  114. Pink Daisies, Amber Room
    2003
    Pink Daisies, Amber Room, 2003 Two (2) video projectors, two (2) media players, Lee Filters, mylar and existing architecture Dimensions variable Installation view, 1301PE, Los Angeles, 2005 
  115. Dark Matter
    2003
    Dark Matter , 2003 Two (2) flat screen monitors, two (2) media players, and Lee filters Dimensions variable Installation view, 1301 PE, Los Angeles, CA, 2010
  116. Haunch of Venison Drawing #1
    2003
    Haunch of Venison Drawing #1, 2003 Mylar with Ink, graphite, pantone film and ink jet prints  
  117. Haunch of Venison Drawing #2
    2003
  118. Haunch of Venison Drawing #3
    2003
  119. Haunch of Venison Drawing #4
    2003
  120. Haunch of Venison Drawing #5
    2003
  121. Untitled, Commissioned work for private residence
    2003
    Untitled, Commissioned work for a private residence , 2003 One (1) video projector, one (1) media player, custom designed outdoor projector hanger Installation view, Brentwood, CA, 2003 
  122. White is the Color
    2002
    White is the Color , 2002 Two (2) video projectors, two (2) media players, one (1) lighting fixture, lighting filters and existing architecture Dimensions variable Installation view, Stedelijk Museum, Amsterdam, The Netherlands, 2010
  123. Beyeler Drawing #1
    2002
  124. Beyeler Drawing #2
    2002
    Beyler Foundation Drawing #2, 2002 Mylar with ink, graphite, pantone film and ink jet prints 
  125. Beyeler Drawing #3
    2002
    Beyler Foundation Drawing #3 , 2002 Mylar with ink, graphite, pantone film and ink jet prints 
  126. Venice Biennale Proposal #1
    2002
  127. Venice Biennale Proposal #2
    2002
    Venice Biennale Proposal #2 , 2002 Mylar with ink, graphite, pantone film and ink jet prints  
  128. Venice Biennale Proposal #3
    2002
  129. Bastard Pink
    2002
    Bastard Pink, 2002 One (1) video projector, one (1) media player, Lee Filters, existing architecture Installation view, Galleria Emi Fontana, Milano, 2002 
  130. Emi Fontana Drawing #1
    2002
    Emi Fontana Drawings #1 , 2002 Mylar with ink, graphite, pantone film and ink jet prints 
  131. Emi Fontana Drawing #2
    2002
    Emi Fontana Drawing #2 , 2002 Mylar with ink, graphite, pantone film and ink jet prints 
  132. Emi Fontana Drawing #3
    2002
    Emi Fontana Drawing #3 , 2002 Mylar with ink, graphite, pantone film and ink jet prints 
  133. Pittsburgh Convention Center Proposal #1
    2002
  134. Pittsburgh Convention Center Proposal #2
    2002
  135. Oostend Dronkenput Proposal #1
    2002
  136. Oostend Dronkenput Proposal #2
    2002
  137. Oostend Dronkenput Proposal #3
    2002
  138. Shaw Tower Proposal
    2002
  139. RGB Windows for MOCA
    2001
    RGB Window for MOCA , 2001 Lee Filters  Installation view, Museum of Contemporary Art, Los Angeles, CA, 2001  
  140. Monarch Butterfly Project Drawing #1
    2001
    Monarch Butterfly Project #1 , 2001 Mylar with ink, graphite, pantone film and ink jet prints  31.5 x 31.5 inches
  141. Monarch Butterfly Project Drawing #2
    2001
  142. 1301PE Drawing #1
    2001
    1301PE Drawing #1 , 2001 Mylar with ink, graphite, pantone film and ink jet prints 
  143. 1301PE Drawing #2
    2001
    1301PE Drawing #2 , 2001 Mylar with ink, graphite, pantone film and ink jet prints 
  144. 1301PE Drawing #3
    2001
    1301PE Drawing #3 , 2001 Mylar with ink, graphite, pantone film and ink jet prints 
  145. 1301PE Drawing #4
    2001
    1301PE Drawing #4 , 2001 Mylar with ink, graphite, pantone film and ink jet prints 
  146. Oculus
    2001
    Oculus , 2001 and  Blue, Green, Yellow Suns, 2000 Installation view, Multiverse, Claremont Museum of Art, Claremont, CA, 2008  
  147. Purple Flowers Videowall
    2001
    Purple Flowers Videowall , 2001 Nine (9) video monitors, one (1) videowall processor, one (1) media player, and Lee filters Dimensions variable Installation view, Hauser & Wirth, Zurich, Switzerland, 2002  
  148. Red Flowers Videowall
    2001
    Red Sun Videowall, 2001 Nine (9) video monitors, one (1) distribution amplifier, one (1) media player, and Lee filters Dimensions variable 
  149. Yellow Flowers Videowall
    2001
    Yellow Flowers Videowall, 2001 Nine (9) video monitors,  one (1) media player, one (1) distribution amplifier, Lee filters
  150. Untitled, Commissioned work for private residence
    2001
    Untitled (Work for a private residence) , 2001 One (1) video projector, one (1) monitor, two (2) media players  
  151. Untitled Bee Drawing
    2001
    Untitled Bee Drawing , 2001 Mylar with ink, graphite, pantone film and ink jet prints  
  152. Siegen Drawing #1
    2001
  153. Siegen Drawing #2
    2001
  154. Siegen Drawing #3
    2001
  155. Siegen Drawing #4
    2001
  156. Orange Room (Wallflowers)
    2001
    Orange Room (Wallflowers), 2001 Three (3) video projectors, three (3) media players, Lee filters and existing architecture Dimensions variable Installation view, Sammlung, Falckenberg, Phoenix Kulturstiftung, Hamburg, Germany, 2007
  157. Moonlight Blue Room
    2001
    The Experience of Color : Ann Veronica Janssens & Diana Thater , 2007 Installation view, University Gallery, University of Massachusetts Amherst, Amherst, Massachusetts, 2007
  158. Moss Green Room
    2001
    Moss Green Room , 2001 One (1) flat screen monitor, one (1) media player, Lee filters and existing architecture Installation view, University Gallery, University of Massachusetts Amherst, Amherst, Massachusetts, 2007 
  159. David Zwirner Exhibition Drawing #1
    2001
  160. David Zwirner Exhibition Drawing #2
    2001
  161. David Zwirner Exhibition Drawing #3
    2001
    David Zwirner Exhibition Drawing #3 , 2001 Mylar with ink, graphite, pantone film and ink jet prints  
  162. David Zwirner Exhibition Drawing #4
    2001
  163. knots + surfaces
    2001
    knots + surfaces, 2001 Five (5) video projectors, sixteen (16) video monitors, six (6) media players, one (1) distribution amplifier, Lee filters and existing architecture Installation view, Los Angeles County Museum of Art, Los Angeles, California,   
  164. Dia Drawings Diptych #1
    2001
    Dia (Diptych), 2000 Mylar with ink, graphite, pantone film and ink jet prints  
  165. Dia Drawings Diptych #2
    2001
  166. Dia Drawings Diptych #3
    2001
  167. Dia Drawings Diptych #4
    2001
  168. knots + surfaces, small version #1
    2001
    knots + surfaces, small version #1, 2001 Two (2) video projectors, one (1) video monitor, three (3) media players and existing architecture Dimensions variable Installation view, Haunch of Venison, London, England 2004 
  169. knots + surfaces, small version #2
    2001
    knots + surfaces, small version #2 , 2001 Two (2) video projectors, one (1) video monitor, three (3) media players and existing architecture Dimensions variable Installation view, David Zwirner, New York, NY
  170. Untitled, Commissioned work for private residence
    2000
    Untitled Commissioned Work for Private Residence, 2000 One (1) video projector, one (1) video monitor, two (2) media players, one (1) synchronizer  Installation view 
  171. Blue Green Yellow Suns
    2000
    Oculus , 2001 and  Blue, Green, Yellow Suns, 2000 Installation view, Multiverse, Claremont Museum of Art, Claremont, CA, 2008  
  172. Blue Cyan Green Suns
    2000
    Blue Green Cyan Suns , 2000 Three (3) video monitors, three (3) media players Dimensions variable  
  173. Blue Sun Video Wall
    2000
    Blue Sun Videowall, 2000 Four (4) video monitors, four (4) media players, one (1) synchronizer Dimensions variable  
  174. CMY Sun
    2000
    Magenta Cyan Yellow Suns , 2000 Three (3) video monitors, three (3) media players Dimensions variable  
  175. Composite Sun
    2000
    Composite Sun, 2000 One (1) video monitor, one (1) media players Dimensions variable 
  176. Composite Sun Videowall
    2000
    Composite Sun Videowall, 2000 Four (4) video monitors, four (4) media players, one (1) synchronizer Dimensions variable  
  177. Cyan Red Suns
    2000
    Cyan Red Suns , 2000 Two (2) video monitors, two (2) media players Dimensions variable  
  178. Four Suns Videowall
    2000
    Four Color Videowall, 2000 Four (4) video monitors, four (4) media players, one (1) synchronizer Dimensions variable  
  179. Green Sun Videowall
    2000
    Green Sun Videowall , 2000 Four (4) video monitors, one (1) video wall processor, one (1) media player Dimensions variable 
  180. Magenta Green Suns
    2000
    Magenta Green Suns , 2000 Two (2) video monitors, two (2) media players Dimensions variable 
  181. Yellow Green Red Suns
    2000
    Red Green Yellow Suns , 2000 three (3) video monitors, three (3) media players Dimensions variable  
  182. Red Magenta Blue Suns
    2000
    Red Magenta Blue Suns, 2000 Three (3) video monitors, three (3) media players Dimensions variable  
  183. Red Magenta Yellow Suns
    2000
    Red Magenta Yellow Suns, 2000 Three (3) video monitors, three (3) media players Dimensions variable   
  184. Big Red Sun
    2000
    Big Red Sun, 2000 Nine (9) video monitors, one (1) media player, one (1) videowall processor and Lee filters Dimensions variable Installation view, National Gallery of Canada, Ottawa, 2001
  185. RGB Suns
    2000
    Red Green Blue Suns , 2000 Three (3) video monitors, three (3) media players Dimensions variable  
  186. Six Color Sun, Horizontal Stack
    2000
    Six Color Sun, Horizontal Stack , 2000 Six (6) video monitors, six (6) media players, Lee filters Installation view, Los Angeles County Museum of Art, Los Angeles, California, 2015  
  187. Six Color Sun Vertical Stack
    2000
    Six Color Sun, Vertical Stack, 2000 Six (6) video monitors, six (6) media players
  188. Yellow Blue Suns
    2000
    Yellow Blue Suns , 2000 Two (2) video monitors, two (2) media players Dimensions variable 
  189. Tensta #1
    2000
  190. Tensta #2
    2000
    Tensta Konsthall, Sweden, December 2000, #2 Mylar with ink, graphite, pantone film and ink jet prints
  191. Tensta #3
    2000
  192. Tensta #4
    2000
  193. Untitled Edition for Parkett
    2000
  194. Red Sun Videowall
    2000
    Red Sun Videowall, 2000 Four (4) video monitors, four (4) media players, one (1) synchronizer  Dimensions variable  Installation view, Museum Villa Struck, Munich, Germany, 2000 
  195. Delphine
    1999
    Delphine Four (4) video projectors, five (5) media players, nine (9) video monitors, 1 Synchronizer, Lee filters and existing architecture Dimensions Variable Installation view, Los Angeles County Museum of Art, Los Angeles, California, 2015
  196. Delphine Drawing for Carnegie International, Diptych #1
    1999
    Delphine Drawing for Carnegie International, Diptych #1 , 1999 Mylar with ink, graphite, pantone film and ink jet prints 
  197. Delphine Drawing for Carnegie International, Diptych #2
    1999
  198. Delphine Drawing for Carnegie International, Diptych #3
    1999
  199. Sun Puzzlepiece Videowall
    1999
    Delphine and Sun Puzzlepiece Videowall , 2000 Installation view, Carnegie Museum of Art, Pittsburgh, PA, 1999/2000 
  200. Delphine Drawing for Vienna Secession, Diptych #1
    1999
  201. Delphine Drawing for Vienna Secession, Diptych #2
    1999
  202. Delphine Drawing for Vienna Secession, Diptych #3
    1999
  203. Delphine
    1999
    Delphine , 1999 Inkjet print
  204. The Future that Almost Wasn't
    1998
    The Future that Almost Wasn't , 1998 Performance project with T. Kelly Mason
  205. The best space is the deep space
    1998
    The Best Space is the Deep Space , 1998 Two (2) video projectors, two (2) video monitors, four (4) media players, free standing wall and existing architecture Installation View, Hamburger Bahnhof-Museum fur Gegenwart, Berlin, Germany, 2006 
  206. Bridget Riley Made a Painting
    1998
    Bridget Riley made a painting , 1998 Two (2) video projectors, one (1) video monitor, three (3) media players, one (1) free standing wall, existing architecture Dimensions variable  Installation view, Los Angeles, CA Photo by Fredrik Nilsen 
  207. The best animals are the flat animals, Version 1
    1998
    The best animals are the flat animals , 1998 Two (2) video projectors, two (2) media players, free standing wall and existing architecture Installation View, HZKM Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany, 2003 
  208. The best animals are the flat animals, Version 2
    1998
    The best animals are the flat animals, version 2 , 1998 Two (2) video projectors, one (1) video monitor, two (2) media players, Lee Filters, existing architecture Installation View, MAK Center for the Art + Architecture, Los Angeles, CA, 1998
  209. The best animals are the flat animals, Stacked Monitors
    1998
    The best animals are the flat animals, Stacked monitors , 1998 Five (5) video monitors, five (5) media players Installation view, Allen Memorial Art Museum, Oberlin College, Oberlin, OH, 1998
  210. The best outside is the inside
    1998
    The best outside is the inside, 1998 Three (3) video projectors, three (3) media players, free standing wall and existing architecture Dimensions variable Installation view, The Saint Louis Art Museum, St. Louis, Missouri 
  211. The best outside is the inside, Monitor Edition
    1998
    The best outside is the inside, 1998 Two (2) video monitors, two (2) media players Installation view, H & R Projects, Brussels, Belgium 
  212. The best sense is the nonsense
    1998
    The best sense is the nonsense , 1998 Two (2) video projectors, one (1) video monitor, three (3) media players, free standing wall and existing architecture Installation view, York University Art Gallery, Toronto, Canada
  213. The best space is deep space, Monitor Edition
    1998
    The best space is the deep space, monitor edition , 1998 One (1) video monitor, one (1) media player Ten (10) unique works Dimensions variable Installation view, H & R projects, Brussels, Belgium
  214. The Caucus Race
    1998
    The Caucus Race , 1998 Two (2) video projectors, four (4) video monitors, six (6) media players, one (1) synchronizers and Lee Filters Installation view, Museum of Contemporary Art Los Angeles, 2008
  215. Unisphere
    1998
    Unisphere , 1998 Two (2) video monitors, two (2) media players Installation view, Zwirner & Wirth, 2005 
  216. Shimmer
    1997
    Shimmer , 1997 Two (2) video monitors, two (2) media players Dimensions variable 
  217. Foam
    1997
    Foam , 1997 Two (2) video monitors, two (2) media players Dimensions variable 
  218. Surface Effect
    1997
    Surface Effect, 1997 Two (2) video monitors, two (2) media players Dimensions variable Installation view, Los Angeles County Museum of Art, Los Angeles, California, 2015  
  219. Broken Circle
    1997
    Broken Circle, 1997 Six (6) video projectors, one (1) Video monitor, six (6) media players, one (1) synchronizer and Lee Filters Dimensions variable Exterior view, Museum Fur Gegenwartskunst, Siegen, 2001 - 2005
  220. The Future was an Illusion
    1997
    The Future was an Illusion , 1997 Iris Print 
  221. If I was in LA
    1997
    If I was in LA , 1997 One (1) video monitor, one (1) media player Installation view, Castellodi Rivioli, Museo D'Arte Contmporanea, Turin, Italy, 1997 
  222. Nature is a Language, Can't you read?
    1997
    Nature is a Language, Can't you read?, 1997 One (1) video projector, two (2) video monitors, three (3) media players, one (1) synchronizer Installation view, Walker Art Center, Minneapolis, MN, 1997
  223. Wicked Witch
    1996
    Wicked Witch , 1996 Five (5) video projectors, five (5) media players Dimensions variable Installation view, Orange County Museum of Art, Newport Beach, California, 2009 
  224. Electric Mind Iris Prints
    1996
    Electric Mind Iris Prints , 1996 1 in a series of 24 Dimensions variable Installation view, Salzburger Kunstverein, Salzburg , Austria, 1996 
  225. A Mouse is a Cat is a Chimp is a Girl (CMYK)
    1996
    A Mouse is a Cat is a Chimp is a Girl (CMYK), 1996 4 Iris Prints 34 x 46 inches each  Installation view, Portland Museum of Art, Portland OR, 1996 
  226. A Mouse is a Cat is a Chimp is a Girl (RGB)
    1996
    A Mouse is a Cat is a Chimp is a Girl (RGB) , 1996 4 Iris Prints 34 x 46 inches each  Installation view, Portland Museum of Art, Portland OR, 1996 
  227. The Object as a Medium
    1996
    The Object as a Medium , 1996 Five (5) video monitors, five (5) media players Installation view, David Zwirner, NY, 1996 
  228. The Individual as a Species
    1996
    The Individual as a Species, 1996 Five (5) video monitors, five (5) media players Installed at The Contemporary Art Museum of Luxembourg Photo by Mareike Tocha © Mudam Luxembourg
  229. Electric Mind
    1996
    Electric Mind, 1996 Six (6) video projectors, two (2) video monitors, eight (8) media players, one (1) synchronizer, Lee filters and existing architecture Dimensions variable Installation view, Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium, 2004 
  230. Moluccan Cockatoo Molly
    1995
    Scarlet Macaw Crayons, 1995 Video installation with window film Dimensions Variable Installation view, Museum Fur Gegenwartskunst, Siegen, 2004   Moluccan Cockatoo Molly , 1995 Video installation with window film Dimensions Variable Installation view, Museum Fur Gegenwartskunst, Siegen, 2004  
  231. Scarlet Macaw Crayons
    1995
    Scarlet Macaw Crayons, 1995 Video installation with window film Dimensions Variable Installation view, Museum Fur Gegenwartskunst, Siegen, 2004   Moluccan Cockatoo Molly , 1995 Video installation with window film Dimensions Variable Installation view, Museum Fur Gegenwartskunst, Siegen, 2004  
  232. China
    1995
    China , 1995 Six (6) video projectors, six (6) media players, one (1) synchronizer, Lee filters and existing architecture Dimensions variable Panaramic view, Museum Fur Gegenwartskunst, Siegen, 2004  
  233. A Confusion of Prints
    1995
    A Confusion of Prints , 1995 From China to Shilo , 1995 Shilo , 1995 Two (2) video monitors, two (2) media Players ( A Confusion of Prints and From China to Shilo , each) One (1) video monitor, one (1) media player ( Shilo ) Installation view, David Zwirner, New York, NY, 1996 
  234. From China to Shilo, Part 1
    1995
    From China To Shilo Part 1 (Left side)  From China To Shilo Part 2 (Center) Shilo (Right side)  Each work: Two (2) media players, two (2) video monitors Installation view, Le Creux de l'Enfer Centre d'Art Contemporain a Thiers, Theirs, France, 1995
  235. From China to Shilo, Part 2
    1995
    From China To Shilo Part 1 (Left side)  From China To Shilo Part 2 (Center) Shilo (Right side)  Each work: Two (2) media players, two (2) video monitors Installation view, Le Creux de l'Enfer Centre d'Art Contemporain a Thiers, Theirs, France, 1995
  236. Perspective is an Energy
    1995
    Perspective is an Energy , 1995 Four (4) video monitors, four (4) media players, plywood tale top, two (2) saw horses  Installation view, David Zwirner, New York, NY, 1996 
  237. Ginger Kittens
    1994
    Ginger Kittens, 1994 Two (2) flat panel monitors, one (1) media player and green gels Dimensions variable Installation view, 1301PE, Los Angeles, 2008
  238. The Holy Mountain
    1994
    The Holy Mountain , 1996 One (1) video monitor, one (1) media player Dimensions variable Installation View, Portland Museum of Art, Portland OR, 1996 
  239. Witte de With, Architectural Model
    1994
    Witte de with, architectural model Installation view, Witte de With, Rotterdam, Netherlands, 1994 
  240. Ginger Kitten, Monitor Version
    1994
    Ginger Kittens, Monitor version , 1994 One (1) altered video monitor, one (1) media player  
  241. Bison Prototype, Monitor Version
    1994
    Bison Prototype , 1994 One (1) altered video monitor, one (1) media player  
  242. Passenger
    1994
    Passenger , 1994 One (1) video monitor, one (1) media player Installation view, Portland Art Museum, Portland, OR, 1996 
  243. Pretty Sun
    1994
    Pretty Sun , 1994 Two (2) video monitors, two (2) media players Dimensions variable Installation view, Walker Art Center, Minneapolis, MN, 1997
  244. Snake River
    1994
    A Series of Events , 2003 Two (2) flat screen monitors, two (2) media players, one (1) synchronizer  and Snake River, 1994 Three (3) video monitors, three (3) media players  Installation view, David Zwirner, New York, 2005  
  245. Pape's Pumpkin
    1994
    Pape's Pumpkin , 1994 Two (2) media players, two (2) video monitors Installation view, Portland Art Museum, Portland, OR, 1996
  246. Wyoming Alogon
    1994
    Wyoming Alogon, 1994 Three (3) video projectors, three (3) media players, one (1) synchronizers, Lee filters and existing architecture Dimensions variable Installation view, Walker Art Center, Minneapolis, MN, 1997
  247. Abyss of Light
    1993
    Abyss of Light , 1993 Three (3) video projectors, three (3) media players, one (1) synchronizer, Lee filters and existing architecture Dimensions variable  Installation view, Museum Fur Gegenwartskunst, Siegen, 2004 
  248. Occident Trotting
    1993
    Occident Trotting, 1993 Four (4) video projectors, one (1) media player, Lee filters and existing architecture Dimensions Variable Installation view, Kunsthalle Bremen, 2004   
  249. California Poppies
    1993
  250. The Bad Infinite
    1993
    The Bad Infinite, 1993 Three (3) video projectors, three (3) media players, one (1) synchronizer, existing architecture Installation view, Long Beach Museum of Art, 1993 
  251. Riders of the Purple Sage: Four Seconds of Film: #1 Monument Valley
    1993
    Riders of the Purple Sage, Four Seconds of Film:#1 Monument Valley, 1993 Iris Print 11 x 14 inches 
  252. Riders of the Purple Sage: Four Seconds of Film: #2 Zion
    1993
    Riders of the Purple Sage, Four Seconds of Film:#2 Zion,  1993 Iris Print  11 x 14 inches
  253. Riders of the Purple Sage: Four Seconds of Film: #3 Canyonlands
    1993
    Riders of the Purple Sage, Four Seconds of Film:#3 Canyonlands,  1993 Iris Print  11 x 14 inches
  254. Riders of the Purple Sage: Four Seconds of Film: #4 Death Valley
    1993
    Riders of the Purple Sage, Four Seconds of Film:#4 Death Valley,  1993 Iris Print  11 x 14 inches
  255. Occident Trotting Model
    1993
    Occident Trotting Model , 1992 Plexiglass, glue, color transparencies, two (2) video projectors, two (2) media players Installation view, David Zwirner, New York ,NY, 1993 
  256. Oo Fifi, Five days in Claude Monets Garden, Part 1
    1992
    Oo Fifi: Five Days in Claude Monet's Garden, Part 1 , 1992 One (1) video projector, one (1) media player, Lee Filters and existing architecture Installation view, 1301PE, Los Angeles, CA, 1992 
  257. Oo Fifi, Five days in Claude Monets Garden, Part 2
    1992
    Oo Fifi: Five Days in Clause Monet's Garden, Part 2, 1992 Three (3) video projectors, three (3) media players, Lee Filters and existing architecture  Installation view, Shoshana Wayne, Santa Monica, CA, 1992 
  258. Oo Fifi, Five days in Claude Monets Garden, Part 1 Video
    1992
    Oo Fifi, Five Days in Claude Monet's Garden,  1992 Parts 1 and 2 Four (4) video projectors, four (4) media players, Lee filters Dimensions variable Installation view, 1301PE, Los Angeles, 2012
  259. Up to the Lintel Bliss
    1992
    Up to the Lintel:Bliss, 1992 Five (5) video projectors, five (5) media players, Lee Filters and existing architecture Installation view, Bliss House, Pasadena, CA, 1992  
  260. Up to the Lintel Bliss Model
    1992
    Up to the Lintel:Bliss Model , 1992 Wood, glue, paint color transparencies, light 
  261. Dogs and Other Philosophers
    1991
    Dogs and Other Philosophers , 1991 One (1) video projector, one (1) media player, one (1) video mixer, plexiglass, existing architecture Installation view, Dorothy Goldeen Gallery, Santa Monica, CA, 1991
  262. More Stars than there are in Heaven Model
    1990
    More Stars Than There Are in Heaven Model , 1990 Wood, glue, paint, color transparencies
  263. With/Out
    1990
    With/Out , 1990 Four (4) video projectors, four (4) media players, sand blasted glass, existing architecture Installation view, Art Center College of Design, Pasadena, CA, 1990 
  264. Volume of Vision
    1990
  265. Volume of Vision Model
    1990
    Volume of Vision Model , 1990 Wood, glue, paint, color transparencies 
  266. Untitled, Nature Black Square 1 (Birds Chirp)
    1989
  267. Untitled, Nature Black Square 2, (Night)
    1989
  268. Untitled, Nature Black Square 3, (Purple Stripe)
    1989
  269. Untitled, Nature Black Square 4, (Breaking Glass)
    1989